SOLO EXHIBITIONS
2012
I-20 Gallery, New York, NY.
2011
The Self-Illuminating City, in participation with the New Museum’s Festival of Ideas for the New City, Allegra LaViola Gallery, New York, NY.
2010
Timothy Hutchings, Long Beach Museum of Art, Los Angeles, CA
2009
Timothy Hutchings Ain’t Here, Center for Creative Arts, St. Louis
A Greasy Ship, The Newhouse Center for Contemporary Art, Staten Island, New York
Awash in a Sea of Blood and Ice, Center of Creative Art, St. Louis
Timothy Hutchngs, Monmouth University, New Jersey
2008
Formal Issues and Not, Sydney College of Art, Sydney, Australia
Timothy Hutchings, Vienna Kunsthalle (Kunsthalle Wien), Austria
The Celestial Spheres, I-20 Gallery, New York
2007
The World’s Largest Wargame Table, I-20 Gallery, New York
Game Theory, Applied and Not, Triton Gallery, Nicosia Cyprus
Timothy Hutchings, Viennafair, ZONE1, Austria
Timothy Hutchings, The Soap Factory, Minneapolis, Minnesota
2006
Object and Non-Object, Karl Drerup Gallery, Plymouth, New Hampshire
The World’s Largest Wargame Table, Real Art Ways, Hartford, Connecticut
2005
Sea Fight!, The Map Room, Portland, Maine
2004
A Lark in the Larkin, Loop’04, Barcelona, Spain
The Captain Hates the Sea, I-20 Gallery, New York
Timothy Hutchings: Project Room, Bodybuilder and Sportsman Gallery, Chicago
2003
Arm in Arm in Arm in Arm, I-20 Gallery, New York
2002
Go West, The Bonsack Gallery, St. Louis, Missouri
2001
The Arsenal at Danzig and Other Views, I-20 Gallery, New York
2000
Slapstick, Cranbrook Academy of Art, Bloomfield Hills, Michigan
SELECTED GROUP EXHIBITIONS
2012
River to River, Governor’s Island Vallery, Lower Manhattan Cultural Council, New York, NY
Play, PodMuseum, Berlin, Germany
Collections, FICTILIS, Seattle, WA
Digital Alchemy, Creon Gallery, New York, NY
2011
MAKE Skateboards, I-20 Gallery, New York
2010
Doomslangers, Allegra LaViola Gallery, New York
Electromediascope, Nelson Atkins Museum of Art, Kansas City, Missouri
2009
Next Level: Game Spaces Beyond the Screen, FACT, Liverpool, United Kingdom and The Netherlands, Media Art Institute, Denmark
Camera/Chimera, Gallery Affero, Newark, New Jersery
Best of New York, II, Broadway Gallery, New York City
Recess, Crossing Art, Queens, New York
Single Channels,Tony Wight Gallery, Chicago, Illinois
Chimera Ximaipa, Arcade Experimental Art Project, Nicosia, Cyprus and Envoy Gallery, New York City
2008
Loophole to the Universe, curated by Ivan Vosecky, Divus Unit 30, London, England
DA2, Contemporary Museum of Art, Salamanca, Spain
locate | navigate – exercises in mapping, Charlotte Street Foundation, Kansas City, Missouri
Fakes, Redsaw Art Gallery, Newark, New Jersey
Trunk Selects, Färgfabriken, Stockholm, Sweden; Rom fur Kunst og Arkitektur, Oslo, Norway; Sundsvall Kulturmagasin, Sundsvall, Sweden; and Kramfors Cinema, Kramfors, Sweden
Accidental/Coincidental, Newhouse Center for Contemporary Art, New York
2007
Newark Artists Salute Crane, Newark Arts Council, Newark, New Jersey
Crash, Pause, Rewind, Missoula Art Museum, Missoula, Montana
25 Years Later, Art in General, UBS Art Gallery, New York
FOR SALE, Espacio Liquido, Gijon, Spain
L.I.C., NYC Video, Socrates Sculpture Park, Queens, New York
Urban Spaces, curated by Susanneh Bieber and Kurt Gross, Fresno Metropolitan Museum, Fresno, California
Range, curated by Kristi Lippire, D.E.N. Contemporary, Culver City, California
Video and Photography from Western Bridge, Washington State University Museum of Art, Seattle, Washington
Common Ground, Westchester College Fine Arts Gallery, New York
A Century of Collage, Elizabeth Leach Gallery, Portland, Oregon
The Big Nothing – Basekamp, Institute of Contemporary Art, Philadelphia, Pennsylvania
Abrasions, Architecture, and Accident, Southern Illinois University, Carbondale, Illinois and Studio 27, San Francisco, California
Impure Cinema: Hybrid Works Rupturing Media Boundaries, Studio 27, San Francisco, California
Trunk/The Nordic Video Art Festival, Östersund, Norway
Red Badge of Courage, curated by Omar Lopez-Chahoud, Newark Arts Council, Newark, New Jersey
2006
Video Lounge: Highlights from the Sagamore Video Collection, The Sagamore Hotel, Miami, Florida
Summer Selections, Art Omi International Sculpture Park, Omi, New York
Abrasions: Architecture and Accident, Studio 27, San Francisco, California
12th Biennial Print and Drawing Exhibition, National Taiwan Museum of Fine Art, Taiwan
VII Salon y Coloquio Internaticional de Arte Digital, Havana, Cuba
Blame it on Rio, White Box, New York
[20mb], MASSart, Austin, Texas
Small Group Format, Truman State University, Kirskville, Missouri
Swingspace Open House, Lower Manhattan Cultural Council, New York
realpARTy, Real Art Ways, Hartford, Connecticut
I Love Exit Art, Exit Art, New York
2005
Art Video Lounge: Videotheque, Art Basel Miami Beach, Miami, Florida
Crash, Pause, Rewind, Western Bridge, Seattle, Washington
New Labor; Neutral Capital, Columbia University, New York
Sea Fight!, The Map Room, Portland, Maine
Ars Digital 2004: I click, Therefore I am, curated by Joulia Strauss, The 1st Moscow Biennial, Russia
Baroques and Neo-Baroques: Hell of the Beautiful, Centro de Arte de Salamanca, Spain
Art in the Age of New Technologies, curated by Eva Khachatrian, Armenian Center for Contemporary Experimental Art, Yerevan, Armenia
The Kids Have ADD, curated by Birgit Rathborn, Wizard Electroland, Brooklyn, New York
Jianghu 3: An Exhibition of Experimental and Documentary Video Art, Kunming, China
2004
Cicle de Video Focus: Desde Los Anos Setenta Hasta El Ano 2002, Museo de Arte Contemporaneo, Patio Herreriano, Barcelona
SuperSalon, Samson Projects, Boston, Massachusetts
The Iowa Biennial of Contemporary Miniature Prints, University of Iowa and the Soros Gallery, Stockholm School of Economics, Riga, Latvia
Videodrome II, Bates Museum of Art, Lewiston, Maine and the Santa Barbara Contemporary Arts Forum, Santa Barbara, California
2003
Espacios a la Experimentacion, El Museo de Arte y Diseno Contemporaneo, San Jose, Costa Rica
VideoEx, Zurich, Switzerland
Solon y Coloquio Internacional de Arte Digital, Havana, Cuba
Collection of the Associazione Artissima, curated by Elena Volpato, Turin, Italy. Centro Reina Sofia, Madrid, Spain
The Pretendlings, curated by James Bewley, New Langton Arts, San Francisco, California
Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark, New Jersey
Art for Life 2003, Estate of Russell Simmons, Easthampton, New York
Not Myself, New Langton Arts, San Francisco, California
Warning/Happenings, a conceptual concert by David T. Little, Stretansky Hall, Susquehanna University, Pennsylvania
2002
Seeing by Wireless, Hastings Museum and Gallery, Hastings, United Kingdom
For Real, Woodstreet Galleries, Pittsburgh, Pennsylvania
Self-Portraits from the Bill and Ruth True Collection, The Wright Exhibition Space, Portland, Oregon
Videodrome II, New Museum of Contemporary Art, New York
Ramallah Video Festival, curated by Emily Jacir, Ramallah, Palestine
Metropolis Now, curated by Elga Wimmer, Centro Reina Sofia, Madrid, Spain
SUBMERGE, curated by Eva Scharrer, Kunstebunker Forum für Zeitgenössische Kunst, Nürnberg, Germany.
Faux Real, curated by Elga Wimmer, Borusan Cultural Center, Istanbul, Turkey
Friends and Relatives, Lombard Fried Gallery, New York
Hash Brown Potatoes, Smack Mellon Gallery, Brooklyn, New York
PLAYGROUND. The Standard Projection: 247, curated by Yvonne Force and Loren Mindak, The Standard, West Hollywood, California
Cutting Edge, ARCO, Madrid, Spain
2001
B Hotel, P.S.1/MoMA Contemporary Art Center, Long Island City, New York
Ha Ha Hah, Quotidian Gallery, San Francisco, California
la perruque, OfficeSpace Gallery, San Francisco, California
Another Day on Planet Earth, DeChiara/Stewart Gallery, New York
2000
Greater New York, P.S.1/MoMA Contemporary Art Center, Long Island City, New York
Sidelong Glance, Im N iL Gallery, Brooklyn, New York
1999
Persuasion, Lombard-Fried Fine Arts, New York
Keep Fit, Be Happy, DeChiara/Stewart Gallery, New York
Parking, May Day Productions, Highbridge Park, New York
1998
Some Young New Yorkers, Part I, P.S.1/MoMA Contemporary Art Center, Long Island City, New York
Dissin’ the Real, Lombard-Freid Projects, New York and Galerie Krinzinger, Vienna Austria
Ground Control, Lombard-Freid Projects, New York
Head Stand, Elga Wimmer Gallery, New York
Selected Video, DNA Gallery, Provincetown, Massachusetts
Skowhegan Benefit, David Beitzel Gallery, New York
SELECTED BIBLIOGRAPHY
2010
Pasquini, Stefano. “Timothy Hutchings,” Sport and Street, (Spring 2010), pg 8
2007
Boucher, Brian. “Timothy Hutchings at I-20”, Art in America, (November 2007), pp 209-210 (ill)
O’Brien, John. “Range,” ArtScenecal.com, (January 2007) pp 42 (ill)
Villarreal, Ignacio. “Video and Photography at Western Bridge,” ArtDaily.org (January 23, 2007).
Foradini, Flavia. “Il nudo e l’orto [Nude and the garden].” Giornale dell’Arte, vol. 25, no. 264 (Apr 2007): 74.
2006
Ackerman, Ruthie. “Low-Tech Art in a High-Tech Era,” Hartford Courant (May 22, 2006)
Amidon, Catherine. “Timothy Hutchings: A Player’s Game,” Real Art Ways
Miller, Lauren. “Artists Draw Attention,” Truman State University Index (January 26, 2006)
Premnath, Rit. “Ruin/Monument,” Shifter Magazine, (October 2006) pp 85-86, 92
2005
Hackett, Regina. “Western Bridge’s Crash, Pause, Rewind” (October 21, 2005)
Paige, Ian. “Let’s Fight! Thrills of the High Seas at the Map Room,” The Portland Phoenix (October 21-27, 2005)
Finch, Charlie. “The Museum Comes to Us: Art in 2050,” Artnet.com (February 3, 2005)
Macu, Moran. “Loop ’04 Barcelona,” Artnet.com (January 6, 2005)
Peters, Sue. “Culture Clash,” Seattle Weekly (December 14, 2005)
2004
Levin, Kim. “Voice Choices,” The Village Voice (November 10-16, 2004)
Camper, Fred, “Timothy Hutchings…” Chicago Reader (January 30, 2004)
Chicago Reader (January 16, 2004) (ill.)
Zoltak, Benjamin. “New Work From Don Doe and Timothy Hutchings,” Red Streak (February 12, 2004)
2003
Wilson, Michael. Review. “Tim Hutchings I-20 Gallery,” Artforum, vol. 42, no. 2 (October, 2003): 172-3.
Sasaki, Mina. Review. “Vis A Vision Television,” Tokyo, Japan (July, 2003)
Levin, Kim. “Voice Choices,” The Village Voice (May 14-20, 2003)
Home page. “Timothy Hutchings at I-20 Gallery,” Artnet.com (May 16, 2003)
2002
Thomas, Mary. “Art Review: Artists make their own reality in digital realism,” Pittsburgh Post-Gazette.
Hoffman, Leslie. “Skewed Perspectives.” Pittsburgh Pulp (November 28, 2002)
Wimmer, Elga. “Sahte/Gerçek,” Arkitera (October, 2002)
Cotter, Holland. Review. “Hash Brown Potatoes,” Smack Mellon Gallery, Brooklyn, New York Times (July 12, 2002)
Beccaria, Marcella. “The Arsenal at Danzig and Other Views,” ARCO Magazine (April 2002)
Urban, Regina. “New York im untergrund,” Nurnburger Nachrichten, Germany (April 11, 2002)
Mooney, Chris. “Lost Buildings and Renewed Vision. A Mediation on Destruction in Video, Sculpture and Music,” NY Arts, (February, 2002) p 65; www.nyartsmagazine.com
Gioni, Massimiliano. “New York Cut Up: Art Fragments from the Big Apple,” Flash Art, (January-February, 2002) p 61-64
Fink, Courtney. “Sneaking Time,” Strethcer.org (February, 2002)
Hackett, Regina. “Artists Play with Images to Close the Gap Between Life and Art,” Seattle Post-Intelligencer (July 4, 2002).
Page, Judith. “Atlantic Center for the Arts.” Sculpture, vol. 21, pt. 6 (July-Aug 2002): 24-5.
2001
Spalding, David. “‘La Perruque’ at the office/gallery,” Artweek, (December, 2001 – January, 2001) p 15-16
Fels, Sophie. “New York Critics’ Picks: Timothy Hutchings,” ArtForum.com (December, 2001)
Giuliano, Charles. “The Pulse,” NY Arts, (December, 2001) p 24
Johnson, Ken. “Art Guide: Timothy Hutchings,” New York Times (November 30, 2001)
Levin, Kim. “Voice Choices,” The Village Voice (November 27, 2001)
Levin, Kim. “Voice Choices: Artists Haunted by History,” The Village Voice (November 27, 2001)
Fink, Cortney. “Sneaking Time,” Review of “La perruque (the wig),” at the office/gallery, San Francisco, Stretcher.org (Fall, 2001)
1999
Henry, Max. “At the Galleries: Keep Fit Be Happy,” Flash Art (October, 1999) p 57 (ill.)
“Keep Fit Be Happy,” New York Contemporary Art Report (July, 1999) (ill.)
1998
Rockwell, S. “Headstand,” dArt International (Fall, 1998) (ill.)
Adamson, Glenn. “Timothy Hutchings,” NYArts (March, 1998) p 32 (ill.)
Adamson, Glenn. Headstand, Elga Wimmer Gallery
Smith, Roberta. “Headstand,” The New Yorker (August 24-31, 1998)
Smith, Roberta. Review: “Headstand,” New York Times (August 4, 1998)
Aigner, Claudia von. “Gulliver Complex and Mr. Sandman,” Wiener Zeitung, Vienna, Austria (June 6, 1998)
Bronner, Oscar. “Von Endorophinen, Salzgurken, und Stromstossen,”Der Standard, Vienna, Austria (June 5, 1998)
Hofleitner, Johnna von. “KrinzingerÖDissini the Real,” Die Presse, Vienna, Austria (June 5, 1998)
Saustep, K. “Minimalsport mit Erwin Wurm und vieles mehr,” Kurrier, Vienna, Austria (June 6, 1998)
Heiss, Alana. “Greater New York,” NY Arts (March, 1998)
Levin, K. “Headstand Recommended,” Village Voice (March, 1998)
Levin, K. “Dissini the Real Recommended,” Village Voice (March, 1998)
“Dissin the Real,” Time Out New York (March, 1998) (ill.)
GROUP EXHIBITION CATALOGUES
Schneider, Kerry. The Arts Administrator’s Sketchbook, Chicago: Green Lantern Press (May 2007)
Hepler, Anna. “Three Collaborations,” Map Room Gallery (2006)
Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark. 2003
Videodrome II, New Museum of Contemporary Art, New York. 2002
SUBMERGE, Kunstebunker Forum für Zeitgenössische Kunst, curated by Eva Scharrer. Nürnberg, Germany
Faux Real. Curated by Elga Wimmer. Borusan Cultural Center, Istanbul, Turkey
Greater New York, P.S.1/MoMA Contemporary Art Center, Long Island City, New York
RESIDENCIES
2007
Visiting Artist, University of Illinois
2002
Aljirah Emerge 2002 Program Candidate
The Atlantic Center for the Arts, New Smyrna Beach, Florida
2000
Civatella Ranieri Fellow, Sponsored by William Kentridge and
The Atlantic Center for the Arts, New Smyrna Beach, Florida
1996
Skowhegan School of Painting and Sculpture Fellow
GRANTS AND AWARDS
2005
Lower Manhattan Cultural Council Swing Space Grant
2002
New York Foundation for the Arts Fellowship
1998
Yale University School of Art Oil Bar Prize