Super 8, Christopher Grimes Gallery, Santa Monica

2010

Portuguese Representation at the 12th International Architecture Exhibition, La Biennale di Venezia, I, Venezia

Plus Ultra. Opere dalla collezione Sandretto Re Rebaudengo, MACRO, Roma

Freeze, Nils Staerk Gallery, Copenhagen

Box sized DIE featuring Vidres a la Sang, Plaça dels Àngels, Barcelona

A Roll of the dice, Cristina Guerra Contemporary Art, Lisboa

Estancias, Residencias, Presencias. Una construcción particular, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife

Video XXI Colección Lemaître, Centro Fundación Telefónica – Museo de Arte de Lima, Peru

Arrivals and Departures, Mole Vanvitelliana, Ancona

Um percurso, dois sentidos -Colecção do MNAC-MC, da actualidade a 1850, MNAC-MC, Lisboa

Jogos de Espelhos, MACE – Museu de Arte Contemporânea de Elvas, Elvas

Filme e vídeo na Colecção do CAM, Calouste Gulbenkian Foundation, Lisboa

Là où se fait notre histoire, Frac Corse, Corse

A Culpa não é minha- Colecção António Cachola, CCB -Museu Berardo, Lisbon

Da Outra Margem do Atlântico, curated by Paulo Reis, Hélio Oiticica
Art Centre, Rio de Janeiro

2009

Desiring Necessities, John Hansard Gallery, Southhampton

La Mesure du Désordre, Le Parvis centre d’art contemporain, Ibos

Arrivals and Departure-Europe, Mole Vanvitelliana, Ancona

Homenagem e Esquecimento, Fundação Eugénio de Almeida, Évora

Art TLV 2009, Helena Rubinstein Pavilion, Tel Aviv

Actors & Extras, ARGOS vzw Centre for Art and Media, Brussels

Evento, Various Public Locations in Bordeaux

Not for Sale, Galeria Toni Tàpies, Barcelona

Exposição #04, Espaço BES, Lisboa

Presque Rien III, Laure Genillard Gallery, London

2008

Baghdad / Space Cog / Analyst, Frith Street Gallery, London

Listen Darling… The World Is Yours, curated by Lisa Phillips, Ellipse Foundation Contemporary Art Collection, Portugal

Repetition, CCA, Tel Aviv

ART TLV 08, Helena Rubinstein Pavillion and Yaacob Garden, Tel Aviv Museum of Art, Israel

Video, un art, une histoire 1965-2007, Musee Fabre, Montepellier, France

Trust in Me, Charles H. Scott Gallery – Emily Carr Institute, Vancouver, Canada

Collection Videos & Films Isabelle and Jean-Conrad Lemaitre, Kunsthalle Kiel, Germany

Multiple Directions (A retroscpective exhibition of the Chiado Museum’s Collection), MNAC – Museu do Chiado, Lisbon, Portugal

Mondo e Terra, La collezione del FRAC Corsica, Museo d`Arte di Nuoro, Nuoro, Italy

Mão Dupla, SESC Paulista, São Paulo, Brazil

Todas as Histórias, MACS Serralves, Porto

Parangolé – Fragmentos desde os 90: Brasil, Portugal, Espanha, Museu Patio Herreriano de Valladolid

REVOLUTIONS, University Art Gallery at University of California, San Diego

2007

Harlem Postcards, Studio Museum Harlem, New York, NY

Où ? Scènes du Sud: Espagne, Italie, Portugal, Carré d’Art, Musée d’art contemporain de Nîmes, Nimes

Collección Marc e Josée Gensollen, Fundación Suñol, Barcelona

EXISTENCIAS, Musac, Leon

ATTITUDE!, Iconoscope, Montpellier

Bird Watching, Teylers Museums, Haarlem, Netherlands

Blind date, Magazzino d’arte moderna, Rome

PORTUGAL AGORA – À PROPOS DES LIEUX D’ORIGINE, Mudam, Luxembourg

Video, An Art, A History 1965-2005 New Media collection, Centre Pompidou, Sydney- Contemporary Art Museum and Melbourne- Australian Centre for the moving image ACMI

Das exponierte Tier, Kiss Museum, Untergröningen

León Residents, Espace EDF Electra, Paris

La vida Privada – Collección Josep Mª Civit, CDAN, Huesca

Come come come into my world, Ellipse Foundation, Estoril

Köln Show2 -what will be told of today tomorrow, European Kunsthalle -Spruth Magers Gallery, Köln

Escucha con tus ojos, Fundación La Caixa, Barcelona

Vive la mort: Marc & Josée Gensollen, Fundació Suñol, Barcelona

50 anos de Arte Portuguesa, Fundação Calouste Gulbenkian, Lisbon

The Exposed Animal, Kiss Museum, Untergröningen

2006

neo-con: Contemporary Returns to Conceptual Art, curated by Cristiana Perrella. Apex Art, New York

Ellipse Foundation Contemporary Art Collection, Ellipse Foundation Art Centre, Caicais, Portugal

Jugend von heute (The Youth of Today), curated by Matthias Ulrich, Schirn Kunsthalle Frankfurt, Germany

Work in Progress, curated by Jessica Hough, d.u.m.b.o. art center, New York

… Dirty Words, Galeria Pedro Cera, Lisbon, Portugal

Mise en échec, CIRCA, Montréal, Canada

Territorio Oeste. Arte Portugués Contemporáneo, Mudeo de Arte Contemporáneo Unión Fenosa, A Coruña, Spain

Stopover, FRI-ART, Fribourg, Switzerland

Video, An Art, A History 1965-2005 New Media collection, Centre Pompidou, Taipei Fine Art Museum

Une vision du monde, selected works from the video art collection of Isabelle and Jean-Conrad lemaître, La Maison Rouge Fondation Antoine de Galbert, Paris

Open House, Ellipse Foundation Art Centre, Estoril

neo-con. Contemporary Returns to Conceptual Art, Apex Art, NYC and British School at Rome, Roma.

2005

Tiempos de Video 1965 – 2005: The New Media Collection of the Centre Pompidou, with the participation of The La Caixa Foundation Collection of Contemporary Art, CaixaForum, Barcelona, Spain

Portugal Novo- artistas de hoje e amanhã, Pinacoteca do estado de São Paulo, São Paulo

Heroes Forever, curated by Dolores Denaro, CentrePasquArt, Center for Contemporary Art of Biel, Switzerland

Magic, curated by Andrea Gilbert. Vamiali’s, Athens, Greece

Camera fissa, Galleria Franco Noero, Turin, Italy

Del Zero al 2005. Perspectivas del arte en Portugal, Fundación Marcelino Botin, Santander, Spain

On Leaving & Arriving, g39, Cardiff, UK

Lagrimas, Mosterio de Alcobaça, Portugal

Lágrimas, Mosteiro de Alcobaça, Alcobaça

Em Factura. Colisão de territories, Projecto Terminal, Oeiras, Portugal

Desvelar lo invisible, Sala Alcalá 31, Comunidad de Madrid, Spain

Portugal. Algunas figures, Laboratorio Arte Alameda, Mexico City, Mexico

2004

The Animal Show. Haunch of Venison, London, UK

Recent Acquisitions to the Permanent Collection, curated by Dominic Molon, Museum of Contemporary Art Chicago, Chicago, IL., USA

Situation Comedy, curated by Dominic Molon and Michael Rooks.  Independent Curators International (ICI), New York, USA

Ne me touche pas, curated by Stéphane Roussel, Villa Vauban, Luxembourg Dirty Boulevard, Lyon, France

Animaux – Of Animals and Humans, Seedamm Kulturzentrum, Switzerland

Drawn by reality – Encapsulated in life, Wood Street Galleries / Space, Pittsburgh, PA

2003

Plunder: culture as material, curated by Katrina Brown, Dundee Contemporary Arts, Dundee, Scotland, UK

Images for society, curated by Madeleine Schuppli.  Kunsthalle Thun, Switzerland

La Caja Negra, curated by Alvaro Rodriquez. Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Canary Islands, Spain

(Just Stand There!), curated by Bill Arnig.  MIT List Visual Arts Center, Cambridge, MA, USA

Anemic Cinema, curated by Alexandre Polazzon, Sketch Gallery, London, UK

Paris is burning, curated by Darren Flook.  Entwistle Gallery, London, UK

Interval, curated By Alesandro Rabottini. Vistamare Art Center, Pescara, Spain

Agrupémonos Todos (Come Rally), curated by Javier Gonzalez de Durana and Daniel Eguskiza, MARCO, Museum De Arte Contemporanea de Vigo, Vigo, Spain. Traveled to ARTIUM, Victoria-Gasteiz, Spain

Strange Days, Museum of Contemporary Art, Chicago, IL, USA

Documento Recuperado o La exposicion que pudo habersucedid En los etenta (Reacciones y anexos al IX FITAC), Oficina para Proyectos de Arte (OPA), Guadalajara, Mexico.

La Caja negra, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain

SM’s – Stedelijk Museum’s, Hertogenbosch, The Netherlands

2002

Video Art Programme, 13^th Biennale of Sydney 2002, Sydney, Australia

Human Interest, curated by Susan Rosenberg, Philadelphia Museum of Art, Philadelphia, PA, USA

Fair Play – De Nouvelles Règles du Jeu, curated by Marc Prevost, Fondation d’Art Contemporain Guerlain, Les Mesnuls, France

Slow Motion, curated by Miguel Wandschneider. Fundação Calouste Gulbenkian, Lisbon/Estgad Caldas da Rainha, Portugal

Technology + Human Response, Sun Valley Centre for the Arts, Sun Valley, ID

2001

Espelho Negativo, curated by Pedro Lapa.  Teatro do Campo Alegre, Porto

Plateau of Humanity, curated by Harald Szeemann, 49^th Venice Biennale Venice, Italy

BIDA, curated by Marta Mouriarty, The 1^st Valencia Bienal. Valencia, Spain 

Situation 0: Recent Portuguese Art, curated by Rene de Guzman, Yerba Buena Centre for the Arts, San Francisco, CA, USA

Wattage and Friendship, curated by David Hunt, Müllerdechiara Gallery, Berlin, Germany

Antarctica, curated by Darren Flook, Entwistle Gallery, London, UK

Opponents, curated by Siebren de Haan. Paraplufabriek, Nijmegen, The Netherlands

Biberstein, Cesár, Onofre, Sarmento, Sendas, Toscano, Cristina Guerra Contemporary Art, Lisbon, Portugal

The Seeds of the Future. curated by Alexandre Melo. Milano Europa 2000 – Fin-de-Siecle, Milan, Italy

União Latina Prize, Fundacao Calouste Gulbenkian, Lisbon, Portugal

My Generation. Curated by Alexandre Polazzon.  Atlantis Gallery, London, UK

Disseminações (Disseminations). Curated by Pedro Lapa. Culturgest, Lisbon, Portugal

New Releases. Curated by Emil Gogh.  Gallery 4A, Asia/Australia Arts Centre, Sydney, Australia

2000

Performing Bodies, curated by Helena Baker, Iwona Blazwick, Sophie McKinlay and Adrian George. The Tate Modern, London, UK

XXVI Bienal de Pontevedra, curated by Maria de Corral. Pontevedra, Spain

Sweet’n Low, curated by Kenny Schachter. Rove at Lispenard St., New York, USA

I Hate New York, curated by Kenny Schachter. Rove – Shoreditch Hight St, London, UK

The Mnemosyne Project, Curated by Delfim Sardo.  CAPC, Coimbra, Portugal

Plano XXI – Portuguese Contemporary Art. Curated by Paulo Mendes and Antonio Rego. Intermedia Gallery, Glasgow, Scotland, UK

Olhar da Contemporaneidade, Lisbon, Portugal

Arritmia, Mercado Ferreira Borges, Porto, Portugal

SELECTED ARTICLES

2007

Tolosano, Elisabetta, `João Onofre – Franco Noero, Flash Art, October /November 2007

Stolz, George, “João Onofre”, Art News, October 2007

Amado, Miguel, João Onofre – Galeria Franco Noero, artforum online critic’s picks, 22/10/07

Manen, Martí, ‘Playing Myself’, A-Desk, 02/04/07

Puig, Arnau, ‘Aquello que no se es’, ABC. ABCD, 24/03/07

Oliver, Conxita, ‘Situacions ambigües’, Avui. Art, 22/03/07

Molina, Ángela, ‘Ciencia-ficción’, El País. Babelia, 17/03/07

Palau, Maria, ‘Creació artística intel·ligent’, El Punt, 13/03/07

Bufill, Juan, ‘João Onofre expone sus retratos de sepultureros sonrientes en la Ton Tàpies’, La Vanguàrdia, 14/04/07

Vidal Oliveras, Jaume, ‘Vanitas contemporáneas’, El Mundo. El Cultural, 08/03/07

Miró, Neus, ‘João Onofre, Exit Express # 26, Mar 2007

Miró, Neus, ‘R.I.P.’, Benzina # 03, Mar 2007

Gerogianni, Irene. “Magic, Athens: Vamiali’s Gallery, ” Contemporary (May 2006): Issue 78, Reviews

V.O., J., ‘João Onofre’, Arte y Parte #67, Feb-Mar 2007

Rossi, Mariella.  “João Onofre.”  Lapiz, vol. 26, no 237-238 (Dec 2007): 209.

Lavrador, Judicaël and Emmanuelle Lequex.  “Le Fiac à pas de géant.  Visite guidé grand palais: art contemporain.”  Beaux Arts Magazine, no. 280 (Oct 2007): 56-62.

“Visiones del Mediterráneo en Nîmes.”  Lapiz, vol. 26, no. 235 (July 2007): 27.

2006

“João Onofre at I-20: Recommended,” Time Out New York (October 5 – 11, 2006): Art, Listings

Gerogianni, Irene. “Magic, Athens: Vamiali’s Gallery” Contemporary (May 2006): Issue 78, Reviews

Amado, Miguel. “Cityscape Lisbon,” Flash Art (March – April 2006): Vol. XXXIX, No. 247

Neil, Jonathan T.D. “ars nova,” Modern Painters (March 2006)

Hein, Barbara.  “Sehnsucht, Trotz und Leidenschaft [Longing, defiance and passion].”  ART: das Kunstmagazin, pt. 4 (Apr 2006): 78-80.

2005

McSpadden, Alexander. “João Onofre, Toni Tàpies, Barcelona, “ ARTNEWS, Reviews: International, p. 185, October 2005

Molon, Dominic. “Profiles: João Onofre,” Contemporary 21 (Issue 71, 2005): 86-89

Westcott, James. “Letter from Lisbon,” www.artnet.com/magazine/reviews/westcott/westcott2-17-05.asp

Loría, Vivianne.  “Desvelar lo invisible.  Videocreación contemporánea.”  Lapiz, vol. 24, no. 214 (June 2005): 95.

2004

Kent, Sarah. “Animal experiments,” Time Out London (August 25 – September 1, 2004)

Barker, Godfrey. “Art & Antiques,” The Field, (August 2004)

Sumpter, Helen. Art: Animals, “Beastly Behaviour,” The Big Issue (July 12 – 18, 2004)

“The Five Best Exhibitions,” The Independent, (July 2, 2004)

Jones, Jonathan. Art, “Can a vulture be culture?” The Guardian (June 30, 2004)

Güne, Fisun. Art Review: Animals, “The survival instinct,” Metro Life, (June 29, 2004)

Aliago, Juan Vicente. “Reviews: Joao Onofre,” Artforum International, February 2004

Olivares, Rosa. “Agrupémonos todos,” EXIT Express, N°1, February 2004

McLaren, Duncan.  “Plunder: Culture as Material.”  Art Review, vol. 54 (Feb 2004): 101.

Carpio, Francisco.  “Un zoo en al arte contemporaneo/A contemporary art zoo.”  Lapiz, vol. 23, no 199-200 (Jan-Feb 2004): 86-97.

Mateer, John.  “Sonnets from the Portuguese: contemporary Portuguese art and the poetic.”  Art Monthly Australia, no. 173 (Sept 2004): 7-9.

2003

Neves, Joana. “Reviews: Joao Onofre, Nothing Will Go Wrong,” Contemporary Magazine, October 2003

Onofre. João.  Interview.  www.lost.nl, October 25, 2003

Allen, Jennifer.  “Assessing Art Basel,” Reprinted from Vanessa Joan Muller in the Frankfurter Rundschau. www.artforum.com, June 23, 2003

Robinson, Walter.  “Basel ABC,” www.artnet.com, June 19, 2003

Lutz, Kathrin. “João Onofre”, Kunstforum Summer, Germany, 2003

Melo, Alexandre. “Portugal XXI, a primeira decada,” Actual Expresso, No. 1067, Lisbon

Vidal, Carlos. “João Onofre”, Lápiz, Madrid, May 2003

Allegri, Alessia and Campos Costa, Pedro. D’ars, #176. Milan, 2003

Porfírio, José Luís. “Nada correrá mal,” Actual Expresso, No. 1591, Lisbon, April 2003

Allegri, Alessia and Pedro Campos Costa.  “Una chiacchierata con Joao Onofre, in cui niente andra male [ A chat with Joao Onofre, where nothing will go wrong].”  D’Ars, vol. 43, no. 173 (May 2003): 48-53.

Barro, David.  “Video art in Portugal… a new academicism?”  Lapiz, vol. 22, no. 195 (July 2003): 20-35.

2002

Lamm, April Elizabeth. Review: “wattage and friendship (müllerdechiara), tema celeste contemporary art, January-February, 2002: 89

“More Basel Pix: A last look at Art 33 Basel, June 12-17, 2002, www.artnet.com, June 17, 2002 

Cooner, Jill. “João Onofre,” Art Papers, vol.26, Atlanta, March – April 2002

Faria, Óscar. “Um Trabalho sobre a Resistência,” Público, June 26, 2002  (Portugal)

“They are five young artists.”  Connaissance des Arts, no. 598 (Oct 2002): 24.

2001

Lapa, Pedro. Espelho Negativo, Porto, Teatro Campo Alegre, 2001

Schwendender, Martha.  Review.  Artforum (December 2001): 120-121

Levin, Kim.  “Voice Choices: João Onofre, The Village Voice, October 30, 2001

Storr, Robert.  “Harry’s Last Call,” Artforum (September 2001): 159

Soutif, Daniel.  “Pick to Click, Artforum (September 2001): 160

Vetrocq, Marcia E.  “Biennale Babylon,” Art in America (September 2001): 105-115

Carlos Vidal. “À margem dos pássaros está a realidade (diálogo com João Onofre),” Arte Ibérica (May 2001)

Agustin Perez Rubio. “Next, please?,” Arco Noticias N°20 (April 2001): 12

Sandra Vieira Jürgens. “ Do Outro Lado do Ecrã com João Onofre,”  ARTES/diálogo, March/April 2001

Maria de Belem Sampaio. “Galeria Preseca,” Arte Iberica (February 2001): cover

Ferran Barenblit.  “Imagen Y Realidad,” El Correo de Arte, February 2001

Vidal, Carlos. “Tecnicismo, video, política y corporalidad,” Lápiz, vol. 20, no 174 (June 2001): 54-61.

Szabó, Erno.  “Az emberiség platformja: a 49. Velencei Biennále kiállításairól [The platform of humanity: on the exhibitions at the 49^th Venice Biennale].”  Új Muvészet, vol. 12, pt. 9 (Sept 2001): 34-8.

von Drathen, Doris.  “Mnemosyne: ‘Encontros de Fotografia 2000’.”  Kunstforum International, no. 153 (Jan-Mar 2001): 417-20.

Lane, Mallory.  “Juxtaposition.”  Art Review, vol. 53 (Oct 2001): 52-5.

Baro, David.  “Diseminaciones.”  Lapiz, vol. 20, no. 172 (Apr 2001): 74.

2000

Martin Coomer. Review. Time Out London, May 2000.

1998

Pinto de Almeida, Bernardo, M. Carmo Seren and Carlos Vidal.  “Portugal, hoy.”  Lapiz, vol. 17, no. 139-140 (Jan-Feb 1998): 110-43.

SOLO EXHIBITION CATALOGUES

Vidal, Carlos, João Onofre: The Schizo-images and their representational consequences; João Onofre, Cav, Coimbra, 2010.

Wahler, Marc-Olivier, Free fall (Art in a state of weightlessness), João Onofre, Cav, Coimbra, 2010

João Onofre. Magazin 4, Bregenz, Austria. Text by Gerald Matt and JJ Charlesworth, 2005

João Onofre: Nothing Will Go Wrong. Text by Pedro Lapa and Hans Ulrich-Obrist. Lisbon, Portugal: Chiado National Museum of Contemporary Art, 2003

João Onofre. Text by Gerald Matt and João Onofre.  Vienna, Austria and Bregenz, Austria: Kunsthalle Wien and Magazin 4, 2003

Vidal, Carlos. João Onofre: That which never happens, Porto, Portugal: Mimesis, 2003

Experimental Machines. Text by Martha Schwendener. Barcelona, Spain: Galeria Toni Tápies, 2003

Video Art Papers: João Onofre. Text by Dalia Levin. Tel Aviv, Israel: Herzlyia Museum of Art, 2002

João Onofre: And yet… so Different. Text by Pedro Lapa. New York, NY, USA: I-20 Gallery, 2001

SELECTED GROUP EXHIBITION CATALOGUES AND PUBLICATIONS

Lavigne, Emma, 100 Video Artists, Exit Books, 2010

Willemsen, Paul; Didi-Huberman , Georges (et al.); Actors & Extras, Argos Editions, 2009

Desiring Necessities, John Hansard Gallery, U.K. 2009

Les cahiers de la création contemporaine, #2, CNAP, France

Ice Cream: Contemporary Art in Culture, Phaidon, 2007

Vidal, Carlos Carré d’Art – Nîmes, Musée d’Art Contemporain de Nîmes Où? Scénes du Sud: Espagne, Italie, Portugal, Nîmes 2007

Ellipse Foundation Contemporary Art Collection, Caicais, Portugal, 2006

Tiempos de Video. 1965 – 2005: New Media Collection of the Centre Pompidou, Fundacion La Caixa, Barcelona, 2005.

Art Basel Miami Beach. Basel, Switzerland: Messe Basel, 2005.

MUSAC. Collection vol. 1, MUSAC, León, 2005

The Animal Show. Text by Christiane Schneider.  London, UK: Haunch of Venison, 2004

Situation Comedy. New York, NY, USA: Independent Curators International (ICP), 2004

Drawn by Reality – Encapsulated in Life. Text by Angela Plohman, Jan Schuijren, and Nils Röller. Woodstreet Galleries, SPACE, and The Pittsburgh Cultural Trust, Pittsburgh, PA, 2004

Gesellschaftsbilder. Text by Madelein Schuppli. Thun, Germany: Kunstmuseum, 2003

Plunder: culture as material. Text by Katrina Brown.  Dundee, Scotland, UK: Dundee Contemporary Arts, 2003

Agrupémonos Todos, MARCO, Museum De Arte Contemporanea de Vigo/ ARTIUM, Spain, 2003 (brochure)

Charley 01. Edited by Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni, Ali Subotnik. Italy: Les Presses Du Reel/Janvier, FBM, 2002.  www.charleymagazine.com

Cine y casi cine. Text by Pablo Lorca. Madrid, Spain: Museo Nacional Centro de Art Reina Sofia, 2002

Imagens sem disciplina. Text by Carlos Vidal.  Lisbon, Porgugal: Vendaval, 2002

La Biennale di Venezia: 49e Esposizione Internazionale d’Arte, Text by Pedro Lapa and Harald Szeemann.  Venice, Italy. La Biennale di Venezia, 2001

Milan Europe 2000 – The End of the Centry. The Seeds of the Future. Text by Alexandre Melo. Milan, Italy: Electa, 2001

Disseminações, Text by Pedro Lapa. Lisbon, Porgutal: Culturgest, 2001

XXVI Bienal de Arte de Pontevedra. O Espacio como Proxecto/O Espacio como Realidade. Text by Delfim Sardo and Maria de Corral.  Pontededra, Spain: Bienal de Arte de Pontevedra, 2000

Projecto Mnemosyne. Text by Joana Neves.  Coimbra, Portugal: Encontros de Fotografia de Coimbra, 2000

Plano XXI: Portuguese Contemporary Art. Text by Sandra Vieira Jürgens.  Glasgow, Scotland, UK: Intermedia Gallery, 2000.

7 Artistas ao 10˚ Mês. Pinharanda, Text bu João Lima.  Lisbon, Portugal: Fundação Calouste Gulbenkian, 1999

Corpo e Representação, III Bienal de Arte AIP’98. Text by Carlos Vidal. Porto, Portugal: Associação Industrial Portuense, 1998

COLLECTIONS

Museum of Contemporary Art, Chicago
Centre Georges Pompidou-MNAM/CCI, Paris
Albright-Knox Museum, Buffalo
Centre National des Arts Plastiques, Ministère de Culture, Paris
Musac, León
La Caixa, Barcelona
MACS – Museu de Serralves, Porto
Luso-American Foundation for Development, Lisbon
Eileen & Peter Norton Collection, Los Angeles
Fundação Calouste Gulbenkian, CAM, Lisbon
Museo Ibero-Americano de Arte Contemporânea, Badajoz
MACE- Museu de Arte Contemporânea de Elvas, Elvas
GAM –Galeria D’Arte moderna e contenporanea, Torino
Museu do Chiado- National Museum of Contemporary Art, Lisbon
Ministério da Cultura Português, Lisboa
Fonds Régional d’art Contemporain Corse, Corsica
Ellipse Foundation, Estoril
The Weltkunst Foundation, Zurich
Fundación/Colección Jumex, Mexico D.F.
Fondazione Sandretto Re Rebaudengo, Torino