GRANTS AND AWARDS
2011
Fondart, National Grant for Arts and Culture, Chile.
2010
DIRAC, Chilean Department of Foreign Affairs, Chile.
SOLO EXHIBITIONS
2011
Scene of the Crime, curated by Christian Viveros-Fauné, Gonzalez y Gonzalez Gallery, Santiago, Chile.
Estación Mapocho Cultural Center, Santiago, Chile.
2010
Almost Romantic, curated by Christopher Eamon, I-20, New York.
GROUP EXHIBITIONS
2011
Dues Ex Media, curated by Paula Perissinotto, 10th Video & New Media Biennale, Contemporary Art Museum, Santiago, Chile.
Southern Panoramas, 17th VideoBrasil Contemporary Art Festival, curated by Solange Farkas, SESC Belenzinho, São Paulo, Brazil.
Videosphere: A New Generation, curated by Holly E. Hughes, Albright-Knox Art Gallery, Buffalo, New York, USA.
Between Forever and Never, curated by Alfons Hug, Latin American Pavillion, 54th Venice Biennale, Venice, Italy
Visual Anthology of Young Photographers, , curated by Montserrat Rojas Corradi, Contemporary Art Museum of Chile, Santiago.
Silence for Five, curated by Christian Viveros-Faune, National Museum of Fine Art Chile, Santiago.
Elemental Fluid, curated by Macu Moran, CADA, Alcoi, Spain.
Bridges in the Sky, curated by Genoveva Ruckert and Julia Stoff, OK Center of Contemporary Arts, Linz, Austria.
2010
Time Fragments, curated by Sinara Rozo, G44 Gallery, Toronto, Canada.
Agua Na OCA, curated by Marcello Dantas, OCA Auditorium. Sao Paulo, Brazil.
Local Transcription, curated by Rodolfo Andaur, Astoreca Palace. Iquique. Chile.
Tempest, curated by Alfons Hug, Goethe Gallery, Hong Kong, China.
Less Time Than Space, curated by Alfons Hug & Paz Guevara, Oi Futuro, Rio de Janeiro, Brazil; National Museum of Fine Arts. Santiago. Chile; Palais de Glace, Buenos Aires, Argentina; Contemporary Art Museum, Santa Cruz, Bolivia; Antioquia Museum, Medellin, Colombia;
In the Mood for Today, curated by Macu Moran, This is a Square / HUB / BDLL, Madrid, Spain; Big Screen Project. New York. USA.
The Language of Spaces, curated by Ian Cofré, Ligne Roset. New York. USA.
XVII Santa Cruz de la Sierra Biennale, curated by Cecilia Baya Botti & Roberto Varcárcel, Contemporary Art Museum, Santa Cruz, Bolivia.
A Carta da Jamaica, curated by Alfons Hug & Paz Guevara, Oi Futuro, Rio de Janeiro, Brazil.
Vaccine, curated by Victor Hugo Bravo & Daniel Reyes León, Wschodnia Gallery, Lodz, Poland.
To The Elements! Aesthetic Phenomena of Climate Change, curated by Alfons Hug, The Goethe Institute, Wyoming Building, New York
2009
Open Academy, curated by Melania Lynch, Contemporary Art Museum, Santiago, Chile.
FILM AND VIDEO FESTIVALS
2011
La Espera. Open City London Documentary Festival. London, England.
La Fenetre. Athens Video Art Festival. Athens. Greece.
1065591. LOOP Festival. Barcelona. Spain.
Barbie. Australian IEFF. Melbourne. Australia.
Home. Region 0. New York. USA.
2010
Barbie. 12th Festival des Cinemas Differents. Paris. France.
La Espera. 14th Jihlava DFF. Jihlava. Czech Republic.
La Espera. 17th Valdivia Film Festival. Valdivia. Chile.
La Espera. 7th Exis. Seoul. South Korea.
Home. 3rd Videoholica. Varna. Bulgaria.
Home. 23rd Images Festival. Toronto. Canada.
Home, Barbie & La Fenetre. 7th Les Inattendus. Lyon. France.
2009
La Espera. 6th Cinema Itineraires. Brussels. Belgium.
Home. 9th Juan Downey Contest. Santiago. Chile.
PRESENTATIONS
2010
Video is the Only Constant. London. England.
Yonsei University. Seoul. South Korea.
Ellie Epps’s Embodiement Studies Lecture. Vermont. USA.
Art’s Complex Video Lab. Edinburgh. Scotland.
New Canaan High School. Connecticut. USA.
2009
Patricio Guzman’s Documentary Films Seminar. Santiago. Chile.
PUBLICATIONS AND REVIEWS
2011
Hughes, Holly E. Videosphere: A New Generation (cat.), The Albright-Knox Art Gallery, Buffalo, NY.
Miranda, Rodrigo. “Hielos Milenarios,” La Tercera (September 16, 2011).
http://www.papeldigital.info/lt/2011/09/16/01/paginas/045.pdf
Dabkowski, Colin, “Videosphere is art in motion at Albright-Knox,” The Buffalo News (July 21, 2011).
http://www.buffalonews.com/entertainment/gusto/art/artreviews/article496264.ece
Focus on Latin America (Landuscci Editores: Mexico).
Entre Siempre Y Jamás “Gianfranco Foschino: Otro Modo de Mirar.” Artishock: Revista de Art Contemporaneo (May, 2011) http://artishock.cl/dialogos/05_gianfranco_foschino.html
2010
Krygier, Irit. “Gianfranco Foschino.” The New, no. 29. (December 1, 2010) http://itunes.apple.com/mx/app/edition29-the-new/id398486534?mt=8
Palacios, José Miguel. “Casi Romantico.” Artecrítica.org (November 23, 2010). http://www.arteycritica.org/index.php?option=com_content&task=view&id=429&Itemid=26
Finch, Charlie, “The Vermeer of Chile,” Artnet Magazine (Sept. 22, 2010), http://www.artnet.com/magazineus/features/finch/gianfranco-foschino9-22-10.asp
Staff, “Almost Romantic,” Time Out New York, no. 774 (July 29 – August 4, 2010): 41.
Staff, “Almost Romantic,” The New Yorker (August 9, 2010): 10.
2008
“Thresholds,” Xplora Magazine, no. 16: 30-35.
2007
“Faces,” Xplora Magazine no. 24: 30-35.
PUBLIC COLLECTIONS
Albright-Knox Art Gallery, Buffalo, New York, USA.