SOLO EXHIBITIONS
2013
Firecat Projects, Chicago, IL
2012
CB1 Gallery, Los Angeles, CA
Kunsthalle Detroit, Detroit, MI
2009
Aiora, Galeria Leyendecker, Santa Cruz de Tenerife, Spain
Men Performing Masculinity; Surgeon of His Honor, Cellspace Gallery, San Francisco, CA
2008
Aiora, I-20 Gallery, New York, NY
2006
Solo Installation, organized by I-20 Gallery, VIENNAFAIR, Vienna, Austria
2005
Ms. SURVEY, organized by Dwight Hackett and Jenifer Jovais, SITE Santa Fe, Santa Fe, NM
2004
Phantom Fuck, Nils Staerk Contemporary Art, Copenhagen, Denmark
Pleasure Victim: Fragment d’un discours Erotique, Galerie Cueto, Paris, France
10eme Anniversaire de Prix de Flore, Livre D’or Installation Performance, organized by Valerie Cueto and
Carole Chretiannot, Cafe de Flore, Paris, France
2003
Honest Espionage: Truth and Consequences, Borromini Arte Contemporanea, Ozzano Monfoto, Italy.
Saint-Petersburg Windows: Reflections, Marina Gisich Gallery, St. Petersburg, Russia
2002
Honest Espionage: Killer Whore, I-20 Gallery, New York, NY
Text, Light and Image, Galeria Leyendecker, Santa Cruz de Tenerife, Spain
2001
Public Seduction, organized by Barbara Steffen and Zurich Kosmos, Sigmund Freud Museum and
Sigmund Freud Park, Vienna, Austria
2000
Kiki Seror, I-20 Gallery, New York, NY
Kiki Seror, Galeria Joao Graca, Lisbon, Portugal
GROUP EXHIBITIONS
2012
DECADE: Contemporary Collecting 2002-2012, Abright-Knox Art Gallery, Buffalo, NY
Ecstasies of Communication, curated by Raul Zamundio, Pristine Galerie, Monterrey, Mexico
Celebrity Skin, curated by Raul Zamudio, White Box Contemporary, San Diego, CA
Community, curated by Renee Fox, Beacon Arts Gallery. Los Angeles, CA
Your Body Is A Battleground, curated by Raul Zamudio, Pristine Galerie, Monterrey, Mexico
Body Snatchers, White Box, New York
Femmescapes, Mills College Art Museum, Oakland, CA.
Data Trash, curated by Chris Dorland, I-20 Gallery, New York
2011
Light Fiction, curated by Tim White-Sobieski, Kunsthalle Detroit, Detroit, MI
2010
Suspensions of Disbelief, curated by Raul Zamudio, Other Gallery, Shanghai, China.
VideoFormat: Corpus, curated by Karina Karaeva, National Centre for Contemporary Arts, Moscow, Russia
Cultural Olympiad, co-curated by Stephanie Rebick and Christopher Eamon, 2010 Olympic and Paralympic Games, Queen Elizabeth Theatre, Vancouver Art Gallery, Vancouver, B.C.
Peer Pressure, curated by Martin Durazo, 18th Street Arts Center, Santa Monica, CA
[art + architecture] curated by Angela Bracco, The Gowanus Ballroom, Brooklyn, NY
LUBE, curated by Martin Durazo, JAUS Gallery, Los Angeles, CA
2009
Bad Habits, curated by Heather Pesanti, Albright-Knox Art Gallery, Buffalo, NY
Benefit 2009, organized by Lane Harwell, Alliance for the Arts, New York, NY
Love, Love, Love, curated by Jose Martos, Martos Gallery, New York, NY
Auction SITE 2009, organized by Marlene Nathan Meyerson and Jenny Holzer, SITE Santa Fe, NM
2008
Deep in the Heart of Southie, LaMontagne Gallery, Boston, MA.
Panopti(con), curated by Martin Durazo, Bank Gallery, Los Angeles, CA
SITE Unseen, Fund Raiser for 2008 International Biennial, James Kelly Gallery, Santa Fe, NM
2007
Theater of Cruelty, Curated by Raul Zamudio, White Box, New York, NY
Que’Est Ce Que C’est Performance? Curated by Christopher Eamon, Henry Street Settlement, Abrons Art Center, New York, NY
2006
Don Juan “two and two equals four” or “lust is the only swindle I wish permanence” curated by Gerald Matt, Kunsthalle Wien, Austria travels to Magazin4 Bregenzer Kunstverein, Austria and Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany
Jugend Von Heute, curated by Max Hollein, Schirn Kunsthalle Frankfurt, Germany
Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Weisman Museum of Art, Pepperdine University, Malibu, CA
Sagamore Video Program, in conjunction with ArtBasel Miami, curated by Kimberly Marrero and Louky Keijsers, Sagamore Hotel, Miami, FL
2005
Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Krannert Art Museum, University of Illinois at Urbana-Champaign, IL traveled to The Rose Art Museum at Brandeis University, MA; Paul and Lulu Hilliard University Art Museum University of Louisiana at Lafayette, LA and The Museum of Contemporary Art, Jacksonville, FL
Ars Digital, The 1st Moscow Biennale, curated by Joulia Strauss, Moscow, Russia
Girls, Girls, Girls, curated by Richard Leydier, CAN Centre d’Art. Neuchatel, Switzerland
SELECT III 2005 W.P.A. Washington Project for the Arts, organized by Makota Fujimura, N. Elizabeth Schlatter, Sally Troyer, Spencer Tunick, Bertram Ulrich, The Corcoran Gallery of Art, Washington DC
It’s Not About Sex, curated by Stephan Stoyanov, Luxe Gallery, New York, NY
ArtBasel Miami Beach Video Program, curated by Christopher Eamon, Miami Beach, FL
Infrastructure, curated by Therese Stowell, Studio Voltaire, London, U.K.
2004
In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo, New York
LILITH; Aspetto Femminile Della Creazione, curated by Maria Luisa Trevisan, Scuderie Aldobrandini, Rome, Italy
typO, curated by Cecilia Andersson, Moderna Museet, Stockholm, Sweden
Pretty World, curated by Jerome Jacobs, Aeroplastics Contemporary, Brussels, Belgium
Interfacies Asteriae, The Intermediatic Soul, co-curated by Francesco Bonazzi and Maffei Gueret, Asteria Multimedia, Trento, Italy
Allure Electronica, curated by Murray Horne, The Wood Street Galleries, Pittsburg, PA
Freud: The Creative Analysis of Analysis, curated by Barry Rosenberg, School of Fine Arts, University of Connecticut, Storrs, CT
Video Lounge Special Projects, ARTRotterdam, co-curated by Thomas Peutz and Una Henry, Rotterdam, The Netherlands
Sexy Beast: An Exploration of Sex and Sexuality in Art from 1963-Present, curated by Robert Knafo, Ethan Cohen Gallery, New York, NY
Papier Cadeaux, Galerie Cueto, Paris, France
Up and Coming, ARCO Madrid, Spain
2003
Launch, organized by Smart Project Space, Liste The Young Fair at ArtBasel, Basel, Switzerland
Strangers: The First ICP Triennial of Photography and Video, organized by Brian Wallis, Christopher
Phillips, Edward Earle and Carol Squiers, International Center of Photography, New York, NY
OnLine, organized by Charlie Finch, George Negroponte and Robert Storr, Feigen Contemporary, New York, NY
Glow: Aspects of Light in Contemporary American Art, curated by Frances Colpitt, USTA Art Gallery, The University of Texas at San Antonio, TX. Traveled to the Texas Fine Arts Association in Austin, TX; and the University of North Texas Art Gallery in Denton, TX
NYCSEX, curated by Grady Turner, Museum of Sex, New York, NY
The Luminous Image VI: An Exhibition of Illuminated Photography, curated by Franc Palaia, Collaborative Concepts Gallery, Beacon, NY
Cutting Edge, curated section by Sandra-Antello Suarez, ARCO, Madrid, Spain
Windows, curated by Olesya Mazin, Marina Gisich Gallery, St. Petersburg, Russia
2002
Fusion Cuisine, curated by Katerina Gregos, Deste Foundation Centre for Contemporary Art, Athens, Greece
Telling Stories, curated by Gianni Romano, Borromini Arte Contemporanea, Ozzano Monfoto, Italy
Erotica Now, B&D Studio Contemporanea, Milan, Italy
Glow: Aspects of Light in Contemporary American Art, curated by Frances Colpitt, ArtPace, A Foundation for Contemporary Art, San Antonio, TX
Endure, curated by Thomas Peutz. SMART Project Space, Amsterdam, The Netherlands
Enough About Me, organized by Debora Kass, Momenta Art, Brooklyn, NY
Erotika, Riva Gallery, New York, NY
Peculiarly Pink, co-curated Felicity Hogan and Stefan Stoyanov, Luxe Gallery, New York, NY
New York in Texas, co-curated by Mike Weiss and Stefan Stux, New Gallery, Dallas, TX
Parole parole parole, co-curated by Alessandra Borgogelli and Fabio Cavallucci, Galleria Civica di arte contemporanea, Biblioteca comunale e Castello del Buonconsiglio, Trento, Italy
2001
Westworlds, curated by Max Henry, Mary Boone Gallery, New York, NY
Media Connection, curated by Gianni Romano, Palazzo delle Esposizioni, Rome, Italy. Traveled to La Salara, Bologna; The Triennale, Milan; and Casel S. Elmo, Naples, Italy
Video Jam, co-curated by Michael Rush and Galen Joseph-Hunter, Palm Beach Institute of Contemporary Art, Palm Beach, FL
Hemorrhaging of States, co-curated by Theo Tegelaers and Ciara Ennis, Tent, Rotterdam, The Netherlands
Chelsea Rising, curated by David Rubin, Contemporary Art Center, New Orleans, LA
Fundacion Arco: Ultimas adquisiciones, Centro Galego de Arte Contemporanea (CGAC), Corua, Spain
Unexpected Stages of Regression, curated by Gianni Romano, Carole Biagiotti Gallery, Florence, Italy
Cutting Edge, curated section by Dan Cameron. ARCO Madrid, Spain
I Love New York, I-20 Gallery, New York, NY
2000
222: Two Curators Two artists Two weeks, curated by Madgalena Sawon, Apex Art, New York, NY
Manly, curated by Grady Turner, Art in General, New York, NY
Dusk, curated by David Hunt, I-20 Gallery, New York, NY
Long Days, Longer Nights, co-curated by Andrea Salerno and Mari Spirito, Galapagos Art & Performance Space, Brooklyn, NY
1996
Far Out, curated by Joseph Roeder, ViewRoom Exhibitions, New York, NY
Art Workers, curated by Paul Bloodgood, Basilico Fine Arts, New York, NY
The Smurf Problem, curated by Giovanni Garcia-Fenech, Calculator Gallery, New York, NY
Two New York Artists, QUArtier fur KulturEntwicklung-QUAKE, curated by Alfred Zacharais, Vienna, Austria
1995
Multi-Perspective, curated by Ray Yoshida, An Art Place Gallery, Chicago, IL
Eight Emerging Artists, Korean-American Cultural Center, Chicago, IL
Joseph Roeder & Kiki Seror, curated by Esa Nickle, Sykes Gallery, Chicago, IL
1994
Around The Coyote Art Festival, Gallery 1633, Chicago, IL
Nine Below Group Show, Space Below, Chicago, IL
1993
B.F.A/B.I.A Thesis Exhibition, School of The Art Institute of Chicago, Chicago, IL
Out to Lunch, No Palace Studio, Chicago, IL
1992
Endangered Art, MWMWM Gallery, Chicago, IL
New Horizons in Art, North Shore Art League, Evanston, IL
Group Show 8, Gallery 1633, Chicago,IL
Advance Undergraduate Painting Exhibition, Gallery X at The School of the Art Institute of Chicago, IL
1991
The School of the Art Institute Accreditation Exhibition, The School of the Art Institute of Chicago, IL
SELECTED BIBLIOGRAPHY
Arozqueta, Claudia. “Video and the Body Go on Show at the NCCA.” The Moscow Times; Art & Ideas, October 19, 2010.
Neel, Tucker. “Lube at Jaus,” ART LIES A Contemporary Art Quarterly, Issue 65, Winter 2010, p. 79.
Finch, Charles.“BLADE RUNNERS,” www.artnet.com/magazine, February 5, 2010.
Swanhuyser, Hiya. “Watching You Very Closely,” SFWeekly, December 17- 24th 2009.
Staff. “Kiki Seror atempera el estímulo erótico,” Diario de Avisos, September 2009.
Staff. “Artnet July News,” www.artnet.com/newsletter, July 2009
Gregos, Katerina. “Who’s Afraid of he F-Word?” BC Magazine, Summer 2009 Issue 7, pp. 96-114
Finch, Charlie. “Lust or Life,” www.artnet.com/magazine, December 17, 2008
Genocchio, Benjamin. “Art in Review: Theater of Cruelty,” The New York Times, August 3, 2007
Campbell, Clayton. “Kiki Seror,” Contemporary, May, 2007, Issue 91, pp. 84-87
Rush, Michael. Video Art, published by Thames & Hudson, U.K. 2007 pg. 231
Millis, Christopher. “The joy of looking: Surveillance and power at the Rose,” The Phoenix, November 15, 2006
Johnson, Ken. “Surveillance, spectacle on video” Boston Globe, November 3, 2006
Staff. “Rose Art Museum,” www.eflux.com/displayshow, October 27, 2006
Staff. “So ist sie nicht, die Jugend von heute” www.FAZ.net, April 7, 2006
Staff. “Performance and Surveillance in Video” www.artdaily.com, October 18, 2005
Finch, Charlie. “A Dream Within A Dream” www.artnet.com/magazine, September 22, 2005
Carver, Jon. “Critical Reflections” THE magazine, April 2005
Staff. “Santa Fe sighting, Visual Arts” Alibi, April 2005
Smedley, Mike. “The Exhibit Different” The Durango Herald, April 19, 2005
Collins, Tom. “Perception Game” Albuquerque Journal Santa Fe, March 1,2005
Arnold, John. “Wanted: Young Art Lovers” Santa Fe/ North March 2005
Staff. “Previews” THE Magazine, February – March 2005
Fischer, Zane. “Site Makes Right” Santa Fe Reporter, February 16, 2005
Weideman, Paul and Dewalt, Robert. “Four Site Santa Fe” New Mexican Pasa Tiempo, February 11,2005
Indyke, Dottie. “On screen Magic” Albuquerque Journal Santa Fe, February 11, 2005
Staff. “Cover” Juliet, December 2004 – January 2005
E.W. “Les Yeux D’Elsa” Madame Figaro, December 11, 2004
Barrell, Sarah. “Five Best Art Hotels.” The Independent, May 22, 2004
Staff. “Manipulation Digitale du Discours De L’Amoureux” Jalouse, May 2004
Leydier, Richard and Millet, Catherine. “X-Elles – Portfolio Special Issue” ArtPress, Issue 7, May 2004
Robinson, Walter. “Artnet News” www.artnet.com/magazine, April 4, 2006
Rochebouet de, Beatrice. “Art Brussels, La Fleur du Plat Pays” Le Figaro, April 2, 2004
Johnson, Ken. “Art in Review: Sexy Beast at Ethan Cohen” The New York Times, February 20, 2004
Navarro, Mariano. “ARCO 2004, Futuribles Entre El Cielo y la Tierra” El Cultura, February 2004
Witmer, Jason. “Postmodernity Has Officially Found Pittsburgh” Pulp, January 2004
Staff. “Allure Electronica” Pittsburgh Post-Gazette, January 24, 2004
Yablonsky, Linda. “How Far Can You Go?” ARTnews, January 2004, pp. 104-109
Genocchio, Benjamin. “Using Illumination to Truly See,” New York Time, Section 14, December 28, 2003
Caylor, Sarah. “Feature, Strangers: The First ICP Triennial of Photography.” Afterimage, November – December 2003
Luetic, Anna. “Provokerende Kunst,” Bryggebladet, November 5, 2003
Stevens, Mark. “ICP Triennial review: Now, Voyeur,” New York Magazine, October 6, 2003
Pollack, Barbara. “Everyone Has an Ennial; Now It’s Photography’s Turn,” The New York Times, September 7, 2003
Staff. “Artnet News: Photo Triennial in New York,” www.artnet.com, August 27, 2003
Staff, RTVE. TV Interview “Mensaje de Texto,” METROPOLIS Spain. May 8, 2003
Koroxenidis, Alexandra. “Fusion Cuisine; Deste Center for Contemporary Art”, Frieze, issue 74, October 2002
Gilbert, Andrea. “Fusion Cuisine; Deste Foundation” Contemporary, September 2002
Goddard, Dan R. “Curator sees the light of our times,” San Antonio Express News, August 25, 2002
Johnson, Ken. “Weekend: “Erotika”; at Riva Gallery,” New York Times, August 2, 2002
Streitfeld, LP. “The Unifying Symbol: Erotika at Riva Gallery” NY Arts, August 2002
Borgogelli, Alessandra. “Che Dire?” cover Work Art in Progress, April-June 2002
Pappalardo, Bethany Anne. “Kiki Seror at I-20,” Tema Celeste, issue 91 May -June 2002
Stephens, Craig. “Killer Whore: Honest Espionage, Kiki Seror at I-20,” dart International, Spring 2002
Chambers, Christopher. “April Picks,” www.nyartsmagazine.com, April 2002
Korotkin, Joyce B . “Kiki Seror at I-20,” nyarts magazine, April 2002
Jana, Reena. “Westworld at Mary Boone,” ARTnews, March 2002
Valdez, Sarah. “Art Attack: Review of Spring Show,” Paper Magazine, March 2002
Kelly, Douglas. “The Douglas Kelly Show List: 4 Stars,” www.dks.thing.net March 2002
Finch, Charlie. “Video Choices,” www.artnet.com/magazine, March 29, 2002
Levin, Kim. “Voice Choices. The Short List: Kiki Seror,” The Village Voice, March 26, 2002
Robinson, Walter. “Weekend Update,” www.artnet.com/magazine, March 14, 2002
Finch, Charlie. “The Prisoners of Sex,” www.artnet.com/magazine, March 7, 2002
Henry, Max. “Gotham Dispatch,” www.artnet.com/magazine, March 1, 2002
Romano, Gianni. “Kiki Seror: Body Language,” Flash Art, January – February 2002
Finch, Charlie. “It’s a New Dawn,” www.artnet.com/magazine, January 8, 2002
Johnson, Ken. “Westworld at Mary Boone Gallery,” The New York Times, December 14, 2001
Chambers, Christopher. “January Picks: MAX,” www.nyartsmagazine.com, December 5, 2001
Finch, Charlie. “Greetings Friends,” www.artnet.com, December 2001
Heartney, Eleanor. “Chelsea Rising at the Contemporary Arts Center,” Art in America, Issue 55, November 2001
Finch, Charlie. “My Own Private Biennial,” www.artnet.com/magazine, November 29, 2001
Colpitt, Frances. “Southern Sensibilities: The New Orleans Triennial” Art in America. November 2001, pp. 59-63
Krumpl, Doris. “Verfhrung met dem Lawer Kiki Serors; Public Seduction,” Der Standard, November 22, 2001
Staff. “Seduction by Art. Laser artist Kiki Seror shows what can be done with light,” Austria TODAY, No. 42 2001
Melchart, Erwin. “Kunst mit Laser-Strahlen,” Neue Kronen Zeitung, November 7, 2001
Staff. “Let’s Talk About Sex,” FRAME, November 2001
Dusini, Matthias. “Kunstlicht am Zeichenhimmel” COPY, November 2001
Staff. “Kunstwien zeigt der Zeit die Kunst,” Dis Presse, October 25, 2001
Staff. “Seror & Freud,” ORF, September 27, 2001
Bosco, Caldana, S. “Media Connection,” www.ciberpais.elpais.es, September 2001
Staff. “Flash Art News: Digital Delirium Spreads to Rome,” Flash Art, Issue 50, July – September 2001
Staff. “Flash Art News: The Chelsea Rising,” Flash Art, May 2004; June 2001 p. 78
Rinder, Larry. “Explain… what was the best recent show in New York,” The Art Newspaper, May 2001
Tanni, Valentina. “Un-expected Stages of regression” www.ExibArt.com, April 7, 2001
Ebony, David. “Art Fairs Hit New York,” Art in America, April 2001
Kelly, Douglas. “A minute or two in the Armory Show,” The Douglas Kelly Show Channel 34, March 25, 2001
Peers, Alexandra. “Contemporary Art’s “New Look,” Wall Street Journal, March 9,2001
Ferrara, Elmer. “Walk around ARCO (today)”, www.ArtsZin.com, February 15, 2001
Zita, Carmen. “Sex Issue,” TRACE Magazine, January 2001
Hug, Scott. “Kiki Seror,” K-48 Magazine, January, 2001
Turner, Grady. “Dusk at I-20,” Flash Art, November – December, 2000
Garbarino, Steve. “High Art,” Details, December 2000 pp. 46-49
Romano, Gianni. “Kiki Seror,” www.Postmediamagazine.com, December 2000
Hug, Scott. K48, November 2000
Haden-Guest, Anthony. “She’s All Chat,” Smock Magazine, November 2000 pp.100-103
Finch, Charlie. “Mary Boone’s Chelsea Triumph,” www.artnet.com/magazine, November 15, 2000
Galloway, Munro. “Review of Screenlife at Apex Art,” Zing Magazine, Autumn 2000
Henry, Max. “Gotham Dispatch: Black Magic,” www.artnet.com/magazine, September 22, 2000
Kostabi, Mark. “Ask Mark Kostabi,” www.artnet.com/magazine, September 11, 2000
Staff. “Gallery Focus,” Arconoticias, No.18, September 2000, pp. 72-73
Galloway, Munro. Review of “screenlife: 222,” www.rhizome.org/fresh/ July 10, 2000
Finch, Charlie. “Go-gnomes,” www.artnet.com/Magazine, July 6, 2000
Turner, Grady. “Sexually Explicit Art,” Flash Art International, May-June 2000, pp. 93-96
Mahoney, Robert. “Review,” Time Out New York, April 27 – May 4, 2000, p. 70
Hunt, David. “Honcho Featured Artist, Kiki Seror,” Honcho Magazine, May 2000
Staff. “Talk of the Town,” The New Yorker, April 10, 2000, p. 20
Johnson, Ken. “Weekend Review: Kiki Seror,” The New York Times, April 7, 2000
Levin, Kim. “Voice Choices,” The Village Voice, April 5-11, 2000
Robinson, Walter. “Weekend Update,” www.artnet.com/magazine, March 20, 2000
Staff. “Short List,” The New Yorker, March 5, 2000
Nahas, Dominique. “Manly,” Review, February 15, 2000, pp. 22-24
Robinson, Walter. “Everyone at ARCO,” www.artnet.com/magazine, February 11, 2000
Staff, “The New Chelsea Scene,” Art in America, January, 1997
Smith, Roberta. “Chelsea’s Work in Progress,” The New York Times, November 29, 1996
Zacharais, Alfred. “Kiki Seror: Experimente Mit Mitteln Moderner Malerei,” YBBSTAL, No.37, March 1996, p.3
SOLO EXHIBITION CATALOGUES
Not of Her Body Her Thoughts Can Kill: Kiki Seror 2000-2005. Text by Katarina Gregos, Richard Leydier, and Thomas Peutz. Introduction by Louis Grachos. Published by SITE Santa Fe, Santa Fe, New Mexico, 2005
Kiki Seror, Text by Gianni Romanno. Ozzano Monfoto, Italy: Borromini Arte Contemporanea, 2003
Kiki Seror: Public Seduction. Text by Barbara Steffen and Kiki Seror. Vienna, Austria: Zurich Kosmos and Sigmund Freud Museum, 2001
Kiki Seror. Text by Rachel Greene and Bennett Simpson. New York: I-20 Gallery.
GROUP EXHIBITION CATALOGUES
2006
Jugend von heute/ The Youth of Today. edited by Max Hollein and Matthias Ulrich, Schirn Kunsthalle, Frankfurt, Germany, Verlag Der Buchhandlung, Walter Konig
Don Juan “two and two equals four or lust is the only swindle I wish permanence”. Text by G. Matt, P. Handke, E. Jelinek, A. Seeger, R. Eisendle, O. Neuwirth, M. Haneke, G. Hartel, & T. Miessgang. Edited by Melanie Franke & Angela Stief. Kunsthalle Wien and Ursula Blickle Stiftung. Verlag fur Moderne Kunst Nurnberg: Wien, Austria.
2005
Balance and Power: Performance and Surveillance in Video Art. Text by Michael Rush & Kathleen Harleman. Krannert Art Museum: University of Illinois, at Urbana-Champaign, IL.
2004
LILITH; Aspetto Femminile Della Creazione. Text by Maria Luisa Trevisan, Giovanni Carlo & Liviana Gazzetta. Scuderie Aldobrandini: Rome, Italy.
Allure Electronica. Text by Murray Horne. The Wood Street Galleries, Pittsburgh Cultural Trust, Pittsburg, PA
2003
Strangers: The First ICP Triennial of Photography and Video. International Center of Photography, New York.
Luminous Image VI: An Exhibition of Illuminated Photography. Essays from Franc Palaia and Charles Stainback. Collaborative Concepts, Beacon, NY.
2002
Fusion Cuisine. Text by Katerina Gregos, Jo Anna Isaak, Rosa Martinez, Amanda Michalopoulou and Lynne Tillman. Athens, Greece: Deste Foundation for Contemporary Art.
Charley 02. Edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnik. Les Presses Du Reel, Dijon, France. www.charleymagazine.com
Charley 01. Edited by Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni and Ali Subotnik. Les Presses Du Reel/Janvier: FBM Italy. www.charleymagazine.com
Glow: Aspects of Light in Contemporary American Art. Text by Frances Colpitt. San Antonio, TX: USTA Art Gallery, The University of Texas at San Antonio, TX.
Endure, Text by Thomas Peutz. Amsterdam, The Netherlands: SMART Project Space
Parole parole parole, Text by Alessandra Borgogelli and Fabio Cavallucci. Trento, Italy Galleria Civica di arte contemporanea, Biblioteca comunale e Castello del Buonconsiglio.
2001
Media Connection. Text by Gianni Romano, Elena Volpato, Valentina Tanni and Saul Anton. Milan, Italy Cover design by Kiki Seror
Chelsea Rising. Text by David S. Rubin. New Orleans: Contemporary Arts Center.
Hemorrhaging of States. Text by Theo Tegelaers and Chiara Ennis. Rotterdam, The Netherlands: Tent.
Unexpected Stages of Regression. Text by Gianni Romano. Florence, Italy: Carole Biagiotti Gallery.
2000
222: Two Artists, Two Curators, Two Weeks. Text by Magdalena Sawon. New York: Apext Art.
Dusk. Text by David Hunt. New York: I-20 Gallery.
Dos Mil Anos Luz (2000 Light). Text by Angel Luis de la Cruz. Canary Islands, Spain: Instituto Oscar Dominguez De Arte (I.O.C.A.C.).
1999
Thesis Exhibition. Text by Thelma Golden. New York: Columbia University.