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  • i: Karen Heagle
  • l: <div style="margin-top:-3px; margin-left:14px;"> Born in Tomah, Wisconsin, 1974<br/> Skowhegan, Maine, 1997</br> MFA, Pratt Institute, Brooklyn, 1995<br/> BFA, University of Wisconsin-Stout, Menomonie, Wisconsin, 1990<br/> West Surrey College of Art, Farnham, England<br/> </div>

SOLO EXHIBITIONS

2011

Let Nature Take Its Course and Hope It Passes, I-20 Gallery, New York, NY

2009

Karen Heagle, VOLTA NY 2009, New York, New York

2008

Karen Heagle: She’ll Get Hers, I-20 Gallery, New York

Karen Heagle, SWAB, Barcelona, Spain

2006

Karen Heagle: Strictly Naturals, I-20 Gallery, New York

2003

Fierce, 31GRAND, Williamsburg, Brooklyn, New York

2001

Puritans, Perverts, and Feminists, 31GRAND, Williamsburg, Brooklyn, New York

1998

Karen Heagle: Recent Work, Ray O’Farrell Gallery, Brunswick, Maine

 

SELECTED GROUP EXHIBITIONS AND PERFORMANCES

2012

The Power of Paper, Saatchi Gallery, London, U.K.

2010

Vivid, curated by Janet Phelps, Schroeder Romero and Shredder Gallery, New York, NY

BAM 2010 Next Wave Art, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn, NY.

Lush Life 3: First Bird (A Few Butterflies), curated by Franklin Evans & Omar Lopez-Chahoud, Invisible-Exports, New York, NY.

2009

Portraiture for the Silicon Elightenment: (Fuckheads), SCA Contemporary, Albuquerque, NM

LOVER, On Stellar Rays, New York

White Box 2009 Benefit Auction, New York.

Visual AIDS: Strike III Benefit Auction, curated by Geoffrey Hendricks and Pavel Zoubok, New York.

2008

Death Is Not the End, 31 Grand, New York, New York

The Guys We Would Fuck, curated by Nayland Blake, Monya Rowe Gallery, New York

2007

I remember nothing…, SHAG Sehlman Helwaser Art Gallery, New York

No New Tale To Tell, 31 Grand Gallery, New York

2006

Men, organized by Ellen Alfest, I-20 Gallery, New York

Panic Room, Deste Foundation Centre For Contemporary Art, Athens, Greece

You have to be almost gifted to do what I do, curated by Oliver Newton and Steven Stewart, Alexander and Bonin

History Lessons Part III, curated by Monica Moran, Passerby (Gavin Brown Enterprise)

2005

Culture Vulture, curated by David Gibson, Jack the Pelican Presents, Brooklyn, New York

2004

Rimbaud, curated by Max Henry, I-20 Gallery, New York

2003

Superheroes, Ruby Green Contemporary Art, Nashville, Tennessee

Now Playing, curated by John Connelly, D’amelio Terras, New York

Girls Gone Wild, curated by Katherine Bernhardt, Bronwyn Keenan, New York

2002

Queer Visualities, curated by Carl Pope, Stony Brook University Art Gallery, New York

Echo, 31GRAND, Williamsburg, Brooklyn, New York

See Through, Satellite Project Space, Long Island City, New York

Enough About Me, Momenta Art, curated by Deborah Kass, Brooklyn, New York

Women Paint Women, curated by Rene Calvo, The Harlem Flophouse, New York

2001

Smirk: Woman, Art, Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, Long Island

Danica Phelps: Trade Two, LFL Gallery, New York

studio-visit.com – the show, 31GRAND, Williamsburg, Brooklyn, New York

2000

Maine Speakout Project Benefit, Alexander and Bonin, New York

Snapshot, Baltimore Contemporary Museum, Baltimore, Maryland

flat file, Bellwether, Brooklyn, New York

LFL Gallery: Flat Files, New York

Delicate Tisuue,  curated by Jennifer Kotter, MY Art Prospects, New York

1999

massurrealism, curated by H. Ashley Stephens, massurrealism.com

Outer Boroughs, White Columns, New York

Plain Brown Wrapper, ABC No Rio, New York

1998

Skowhegan Benefit Auction, David Beitzel Gallery, New York

The Independents Show, Gallery El Bohio, New York

1997

Lots, 65 Hope Street, Brooklyn, New York

Femme Fatales, Monk Gallery, Brooklyn, New York

Live Girls All Night, New York

Mirror Mirror on the Wall: Women in Self-Portrait, Mills Pond House, Smithtown, New York

1996

Soil Invitational, Soil Artists’ Collective, Seattle, Washington

Out of Print: Writing the Arts, When Language Meets Form, Pratt Institute Library, New York

The Burning Bra and Other Bedside Tales, Mills Pond House, Smithtown, New York

1995

Bring it on Home to Me, Pratt Institute, New York

Benefit Auction: Laura Cottingham’s ‘Not For Sale: A History of the Seventies Feminist Art Movement,’ Flamingo East, New York

Page 14, 450 Broadway Gallery, New York

SELECTED BIBLIOGRAPHY

Smith, Roberta. “Karen Heagle: Let Nature Take Its Course and Hope It Passes,” The New York Times (October 28, 2011): C32.

Wolin, Joseph R. “Review: Karen Heagle, ‘Let Nature Take Its Course and Hope It Passes,'” Time Out New York (October 19, 2011): 33.

Neyenesch, Cassandra. “Uncertain Narrative: Q + A with Karen Heagle,” Art In America (October 19, 2011): http://www.artinamericamagazine.com/news-opinion/conversations/2011-10-19/karen-heagle-i20.

Rubenstein, Bradley. “Beauty and the Beast,” Culture Catch (October 3, 2011): http://www.culturecatch.com/art/karen-heagle.

Buhmann, Stephanie. “Four galleries offer food for thought,” Downtown Express (October 12, 2011): http://www.downtownexpress.com/?p=3732.

Smith, Roberta.  “‘VIVID’ and ‘PAVERS’,” The New York Times (January 21, 2011): C30.

Walleston, Aimee.  “Costume Change | Jimmy Paul,” “The Moment Blog,” NYTimes.com. <http://themoment.blogs.nytimes.com/tag/karen-heagle>.

Rosenberg, Susan, “Karen Heagle,” Art In America, no. 4, April 2009, p. 146.

Salisbury, Britany.  “Karen Heagle.”  Artforum.com.  November 21, 2008.  <http://www.artforum.com/picks/section=nyc#picks21486>.

“Karen Heagle.”  The New Yorker, November 25, 2008: 4.

Saltz, Jerry. “Looking Back…Sometimes in Anger”, Artnet.com, January 17, 2007

Saltz, Jerry. “Moving Arts“, Village Voice, January 5, 2007

Smith, Roberta “Chelsea is a Battlefield: Galleries Muster Groups”, New York Times, July 28, 2006

Moyer, Carrie. “Luscious and Eccentric; Karen Heagle’s lesbian camp and also a new departure in poignancy.” Gay City News, vol. 5, no. 9 (March 2 – 8, 2006).

Henry, Max. “Karen Heagle, ‘Strictly Naturals’.” Time Out New York, no. 544 (March 2 – 8, 2006).

Wagner, James.  “Karen Heagle at I-20”, jameswagner.com, January 28, 2006, 11:25 pm

Winkleman, Edward. “Artist of the Week 01/16/06.” edwardwinkleman.blogspot.com, January 16, 2006

Smith, Roberta. “Girls Gone Wild.” New York Times, (July 4, 2003): 31.

Mora, Kimberly. “Restrain Yourself! Pornographic Imagery in Feminist Context.” NY Arts, vol. 7, no. 5, (May 2002).

Saltz, Jerry. “Something Wild.” Village Voice (Dec. 25, 2001): 73.

Hamburger, Susan. Puritans, Perverts, and Feminists @ 31GRAND, Waterfront Week, vol. 11.24, Dec. 13, 2001, p. 6

Wacks, Debra. Smirk: Woman Art Humor. Catalogue

Frizzell, Deborah. Baudy Burlesque, Raucous Ribaldry, NY Arts, vol. 6 no. 4, April 2001, p. 22

Watson, Simon. Simon Says: Collect, Artnet.com, Dec. 1, 1999

Hamburger, Susan. Artburgher, Waterfront Week, vol. 9.24, Dec. 16, 1999, p. 6

Stephens, H. Ashley, Karen Heagle, studio-visit.com, Nov. 1999, www.studio-visit.com

Lee, Chris. Dare to be Stupid. Review: The Young and Stupid, Manhattan Neighborhood Network, Waterfront Weekly, vol. 8.20, Oct. 22-Nov. 4, 1998, p. 18

Rankin, Joe. Creating Art at Skowhegan, The Kennebec Journal, Skowhegan, Maine, Aug. 17,1997

Lovelace, Carey. The Burning Bra and Other Bedside Tales, New York Newsday, March 29, 1996, p. B2

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