GRANTS AND AWARDS
2011
Lifetime Achievement Award, Women’s Caucus for Art
2008
Distinguished Artist Award for Lifetime Achievement, College Art Association
1985
Pollack-Krasner Foundation Grant
1982
National Endowment for the Arts, Visual Artists Fellowship
PUBLIC COLLECTIONS
The National Portrait Gallery, London
The Art Institute of Chicago, IL
The Everson Museum of Art, Syracuse, NY
Milwaukee Art Museum, Milwaukee, WI
The David and Alfred Smart Museum, University of Chicago, Chicago, IL
University of Missouri at St. Louis, St. Louis, MO
Virginia Museum of Fine Arts, Richmond, VA
Housatonic Museum of Art, Bridgeport, CT
The Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
SELECTED SOLO EXHIBITIONS
2013
Musée d’art Contemporain, Bordeaux, France.
2012
I-20 Gallery, New York, NY
Kunstnernes Hus, Oslo, Norway
Kunsthalle St. Gallen, St. Gallen, Switzerland.
2011
Art Feature, represented by Freymond-Guth & Co. Fine Arts, Art Basel, Basel, Switzerland.
2010
Freymond-Guth & Co. Fine Arts, Zurich, Switzerland
2009
I-20 Gallery, New York
2007
Sylvia Sleigh, I-20 Gallery, New York
2006
Sylvia Sleigh: Invitation to a Voyage, The Hudson River Museum, Yonkers, New York
2005
Sylvia Sleigh: Portraits and Group Portraits (curated by Cynthia Mailman and Craig Manister, Snug Harbor Cultural Center, Newhouse Center for Contemporary Art, Staten Island, New York
2004
Sylvia Sleigh: New Work & Portraits of Critics, SoHo20, New York
2001
An Unnerving Romanticism: The Art of Sylvia Sleigh and Lawrence Alloway, The Philadelphia Art Alliance, Philadelphia, PA
1999
Invitation to a Voyage and Other Works, Deven Golden Fine Arts, New York, NY
Parallel Visions: Portraits of Women Artists and Writers, Soho20, New York, NY
1995
Invitation to a Voyage and Other Works, Zaks Gallery, Chicago, IL
1994
Sylvia Sleigh: New Paintings, Stiebel Modern, New York, NY
1992
Paintings from the 1970′s, Stiebel Modern, New York, NY
1990
Sylvia Sleigh: Invitation to a Voyage and Other Works, Milwaukee Art Museum, Milwaukee, WI; traveled to Ball State University Art Gallery, Muncie, IN; Butler Institute of American Art, Youngstown, OH
1985
Invitation to a Voyage: The Hudson River at Fishkill, G.W. Einstein Co., Inc., New York, NY
Nudes and Portraits, Zaks Gallery, Chicago, IL
Drawings, SoHo 20 Gallery, New York, NY
1983
Sylvia Sleigh Paints Lawrence Alloway, G.W. Einstein Co., Inc., New York, NY
1982
Portraits at the New School, Associates Gallery, New School of Social Research, New York, NY
1981
Gallery 210 University of Missouri, St. Louis, MO
1980
Marion Deson Gallery, Chicago, IL
Stones and Flowers: Paintings and Watercolors, SoHo 20 Gallery, New York, NY
G.W. Einstein Co., Inc., New York, NY
Gallery 609, Denver, CO
Paintings 1970-79, Canton Art Institute, Canton, OH; traveled to Ball State University Art Gallery, Muncie, IN; Miami University Art Museum, Oxford, OH
1979
Portraits, Lowenstein Library Gallery, Fordham University, New York, NY
1978
A.I.R. Gallery, New York, NY
Portraits, Housatonic Community College, Bridgeport, CT
1977
Stones and Flowers, Paul Klapper Library, Queens College, City University of New York, NY
Turman Gallery, State University, Terre Haute, IN; Traveled to Dittmar Gallery, Northwestern University, Evanston, IL
1976
A.I.R. Gallery, New York, NY
Kirkland Art Center, Clinton, NY; traveled to Cortland College, State University of New York
Hopkins Hall, State University of Ohio, Columbus, OH
Deson Zaks Gallery, Chicago, IL
Matrix 23, Wadsworth Atheneum, Hartford, CT
1975
Associates Gallery, New School of Social Research, New York, NY
Jacob’s Ladder Gallery, Washington DC
Fine Arts Center, University of Rhode Island, Kingston, RI
Women Artists Series, Year 4, Mabel Smith Douglass Library, Rutgers University, New Brunswickl, NJ
A.I.R. Gallery, New York, NY
1973
SoHo 20 Gallery, New York, NY
1972
Lerner-Misrachi Gallery, New York, NY
1971
The Investiture of Charles, Prince of Wales, Hemingway Galleries, New York, NY
1969
Hemingway Galleries, New York, NY
1968
Hemingway Galleries, New York, NY
1965
Byron Gallery, New York, NY
1963
Bennington College, Bennington, VT
1962
Statues in the Crystal Palace Gardens, Trafford Gallery, London, England
SELECTED GROUP EXHIBITIONS
2011
Man as Object: Reversing the Gaze, curated by Karen Gutfreund and Priscilla Otani, SOMArts, San Francisco, CA.
Go Figure, curated by Jessica Moss, David and Albert Smart Museum of Art, University of Chicago, Chicago, IL.
2010
The Comfort of Strangers, curated by Cecila Alemani, PS1 Contemporary Art Center, New York
2009
Wiser Than God, curated by Adrian Dannatt, BLT Gallery, New York.
The Three Fs: form, fashion, fate, curated by Megan Sullivan, Freymond-Guth Fine Arts, Zurich, Switzerland.
Ingres and the Moderns, Musée national des Beaux-Arts, Quebec. Traveling to Musée Ingres, Montauban.
Hudson River Painting, Hutchins Gallery, Long Island University, CW Post Campus. Traveling to The Art Gallery, Kingsborough Community College, Brooklyn, NY; Riverfront Studios at Schuylerville; Gibson Gallery, SUNY Potsdam; Eisenhower Hall Theater, West Point.
2008
A.I.R.: The History Show, A.I.R. Gallery, Brooklyn, NY
A.I.R. Gallery Retrospective: 1972-1979, Werkstatte Gallery, New York, NY
2007
Girl on Guy, (curated by Marci Rae McDade) A+D Gallery, Chicago, IL
Wack! Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles, California Travels to the National Museum of Women in the Arts, Washington, D.C.; P.S.1 Contemporary Art Center, Long Island City, New York (2008); and the Vancouver Art Gallery, Vancouver, British Columbia (2008)
2006
Men, organized by Ellen Altfest, I-20 Gallery, New York, NY
2000
Self Portraits 2000, Printworks Gallery, Chicago, IL
The Figure in the Millennium, (curated by Dennis Adrian), Art Gallery, Northeastern Illinois University, Chicago, IL
Generations II, A.I.R. Gallery, New York, NY (invitational)
1999
Shaping a Generation: The Art and Artists of Betty Parsons, The Heckscher Museum of Art, Huntington, NY
Not for Sale, A.I.R. Gallery, New York, NY video exhibition
1998
ABSOLUT Secret, McKee Gallery, New York, NY; Royal College of Art, London, England
Not For Sale, Apex Art Company, New York, NY (video exhibition)
Crossing the Threshold, Steinbaum Krauss Gallery, New York, NY. Museum exhibition traveling until 2001 to the Tyler Art Gallery- SUNY, Oswego, New Yor; The College Art Gallery, Ewing, NJ; Brevard Museum of Art and Science, Melbourne, FL; Spencer Museum of Art, Lawrence, KS; Guildford College Art Gallery, Greensboro, NC; University Art Museum-SUNY, Albany, NY; The St. Paul Companies, St. Paul, MN; Museum of Arts and Sciences, Macon, GA; University of Nebrask at Omaha, Omaha, NE; Misissippi Museum of Art, Jackson, MS; University of Wyoming Art Museum, Laramie, WY; McAllen International Museum, McAllen, TX; Walton Arts Center, Fayetteville, AR; Hetzel Union Art Galleries, Unviersity Park, PA; Louisiana Arts and Science Center, Baton Rouge, LA and the Sioux City Art Center, Sioux City, IA.
A.I.R. Invitational Exhibition, Kingsborough Community College, Brooklyn, NY
1997
Invitational Holiday Exhibition, Broome Street Gallery, New York, NY
Generations: 1972-1997 25th Anniversary Exhibitions, A.I.R. Gallery, New York, NY
Holiday Invitational Exhibition, Broome Street Gallery, New York, NY
From Blast to Pop, The David and Alfred Smart Museum of Art at the University of Chicago, Chicago, IL
Crossing the Threshold, Steinbaum Krauss Gallery, New York, NY traveling museum exhibition.
Group Exhibition. Deven Golden Fine Arts, Ltd., New York, NY
1996
Landfall Press: 25 Years of Printmaking, Milwaukee Art Museum, Milwaukee, WI
Moving Forward; Past and Present Members of SOHO20, SOHO20 Gallery, New York, NY
25 Years of Feminism, 25 Years of Women’s Art, Mary H. Dana Women Artists Series, Mason Gross School of the Arts and the Mabel Smith Douglass Library, Rutgers University, New Brunswick, NJ
Water Show Rio Arriba Gallery, Abiquiu, NM
1994
Group Exhibition Stiebel Modern, New York, NY
1993
Drawing on the Figure Carlsten Art Gallery, University of Wisconsin-Stevens Point, Stevens Point, WI
My Friend, My Sister SoHo 20 Gallery, New York, NY
1989
100 Women’s Drawings, Hillwood Art Gallery, C.W. Post Campus, Long Island University, Greenvale, NY
Making Their Mark: Women Artists Move Into the Mainstream, 1970-85. Organized by Randi Rosen Arts Associates, traveled to the Cincinnati Art Museum, Cincinnati, OH; New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; and the Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Group Lineage, Katzen Brown Gallery, New York, NY
1988
ArtExpo, Sonia Zaks Gallery, Chicago, IL
Summer Exhibition. G. W. Einstein Co., Inc., New York
1987
Gallery Artists Past and Present, SoHo 20 Gallery, New York
Issues That Won’t Go Away: Heresies’ 10th Anniversary Exhibition, PPOW Gallery, New York
1986
Zaks Gallery at Art Expo, Navy Pier, Chicago, IL
Eminent Immigrants, Newhouse Gallery, Snug Harbor Cultural Center, Staten Island, NY
American Art: American Women, 1965-1985, Stamford Museum and Nature Center, Stamford, CT
1985
The New Response: Contemporary Paintings of the Hudson River, Albany Institute of History and Art, Albany, NY
Ten from SoHo 20, SoHo 20 Gallery, New York, NY
1984
Women Artists Series Exhibit, Douglass College, New Brunswick, NJ
Diana Kurz/Sylvia Sleigh, Rider College Art Gallery, Lawrenceville, NJ
Burning in Hell, Franklin Furnace, New York, NY
1983
Her Own Space, Muse Foundation, Philadelphia, PA
Protective Devices, Windows on White, New York, NY
Members and Friends, Atlantic Gallery, New York, NY
Realistic Directions, Zoller Gallery, Pennsylvania State University, University Park, PA
Women’s Work, SoHo 20 Gallery, New York, NY
Artist’s Choice, Maples Gallery, Fairleigh Dickinson University, Teaneck, NJ
Variations on a Theme: Embellished Elevations of the Carnegie Mansion, Cooper-Hewitt Museum, New York
1982
Selections from the Dennis Adrian Collection, Museum of Contemporary Art, Chicago, IL
Transparency/Translucency: Women Working in Watercolor, Lowenstein Library, Fordham
University, Bronx, NY
Protest: An Environmental Project by SoHo 20, SoHo 20 Gallery. New York, NY
Large Format Drawings, G.W. Einstein Co., Inc., New York, NY
Visiting Artist Invitational, Montclair State College, Montclair, NJ
Art on Paper…Since 1960, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
Women’s Art: Miles Apart, Aaron Berman Gallery, New York, NY; traveled To Valencia Community College, Valencia, FL
46th Annual National Midyear Show, The Butler Insititute of American Art, Youngstown, OH
Man and Woman, Housatonic Community College, Bridgeport, CT
Word/Picture, Collections from the Women’s Caucus for Art, New York Chapter, New York, NY
1981
The Women Artists Series at Douglass College, Douglass College, New Brunswick, NJ; traveled to A.I.R. Gallery, New York, NY
First Show of the Season, SoHo 20 Gallery, New York, NY
Artists of the Gallery, G.W. Einstein Co., Inc., New York, NY
Whitney Counterweight 3, 74 Grand Street, New York, NY
1980
SoHo 20 Cooperative Gallery, Muse Gallery, Philadelphia, PA
Portraits: 1980, Marilyn Pearl Gallery, New York, NY
Renderings of the Modern Women, Joseleff Gallery, University of Hartford, West Hartford, CT
Selected 20th Century American Self Portraits, Harold Reed Gallery, New York, NY
Selections from a Growing Permanent Collection, Housatonic Museum of Art, Bridgeport, CT
Contemporary Naturalism: Works of the 70s, Nassau County Museum of Fine Art, Roslyn Harbor, NY
Woman and Art, Suzanne Brown Gallery, Scottsdale, AZ
Nine from Einstein, Signet Arts, St. Louis, MO
1979
Perspective ‘78: Works by Women, Albright College, Reading, PA
Intimate Statement, University Art Museum, University of New Mexico, Albuquerque, NM
Six Painters of the Figure, Fine Arts Gallery, University of Colorado, Boulder, CO
Contemporary Women in the Visual Arts, Smith College, Northampton, MA
Small Works, G. W. Einstein Company, Inc., New York, NY
Group Exhibition, Landmark Gallery, New York, NY
Poets and Painters, Denver Art Museum, Denver, CO; traveled to Nelson-Atkins Museum of Art, Kansas City, MO
1978
The Sister Chapel, P.S. 1, Long Island City, NY; traveled to Art Gallery of the Fine Arts Center, State University of New York, Stony Brook, NY
Women Artists ‘78, Graduate Center, City University of New York, NY
A.I.R. Gallery 5th Anniversary, P.S.1, Long Island City, NY
Perspective ‘78: Works by Women, Freedman Gallery, Albright College, Reading, PA
Selected 20th Century American Nudes, Harold Reed Gallery, New York, NY
Works by A.I.R. Artists, Ginza Kaigakan Gallery, Tokyo, Japan
Artists Look at Art, Spencer Museum of Art, University of Kansas, Lawrence, KS
Women Artists from New York, Art Gallery of the Fine Arts Center, State University of New York, Stony Brook, NY, and Gallery North, Setauket, NY
About Face, Squibb Gallery, Princeton, NJ
1977
Exhibition 1977, The Women’s Art Symposium, Turman Gallery, Indiana State University, Terre Haute, IN
Nothing but Nudes, Whitney Museum of American Art, New York, NY
Contemporary Issues: Works on Paper, The Women’s Caucus for Art, The Women’s Building, Los Angeles, CA
Women in Art: Working Papers, Empire State Plaza, Albany, NY
Recent Portraiture, The Renaissance Society at the University of Chicago, Chicago, IL
Strong Work, Artemesia Gallery, Chicago, IL
Contemporary Women: Consciousness and Content, Brooklyn Museum Art School, Brooklyn, NY
1976
Group Exhibition, New School of Social Research, New York, NY
Dorothy Gillespie, Alice Neel, Charlotte Robinson and Sylvia Sleigh, Fendrick Gallery, Washington, DC
American Women Painters, Housatonic Community College, Bridgeport, CT
Women Artists Here and Now, O’Shaughnessy Hall, University of Notre Dame, Notre Dame, IN
Artists’ Choice, Soho Center for Visual Arts, New York, NY
Paper, Michael C. Rockefeller Arts Center Gallery, State University College, Fredonia, NY
Paintings by Three American Realists: Alice Neel, Sylvia Sleigh, May Stevens, Everson Museum of Art, Syracuse University, Syracuse, NY
Miniatures, Roko Gallery, New York, NY
1975
The Year of the Woman, Bronx Museum of the Arts, Bronx, NY
Sons and Others, The Queens Museum, Flushing, NY
Self-Portrait Invitational, Prince Street Gallery, New York, NY
Candid Painting, DeCordova Museum, Lincoln, MA
Group Exhibition, A.I.R. Gallery, New York, NY
3 Centuries of the American Nude, New York Cultural Center, New York, NY
Woman as Viewer, Winnipeg Art Gallery, Winnipeg, Canada
Small Works, Roko Gallery, New York, NY
A.I.R. Gallery Show, Fine Arts Gallery, Windham College, Putney, VT
Perspective ’78: Works by Women, Freedman Gallery, Albright College, Reading, PA
Selected 20th Century American Nudes, Harold Reed Gallery, New York, NY
Works by A.I.R. Artists, Ginza Kaigakan Gallery, Tokyo, Japan
Women Artists from New York, Art Gallery of the Fine Arts Center, State University of New York, Stony Brook, NY, and Gallery North, Setauket, New York
About Face, Squibb Gallery, Princeton NJ
1974
Peoples and Places, Whitney Museum of American Art, New York
Woman’s Work: American Art in 1974, Museum of the Civic Center, Philadelphia, PA
Women Artists Series Year Four, Mabel Smith Douglass Library, Rutgers University, New Brunswick, NJ
In Her Own Image, Samuel S. Felisher Art Memorial, Philadelphia, PA
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN
Watergate, Galerie Borjeson, Malmo, Sweden
New Image in Painting, Tokyo International Biennale, Tokyo, Japan
1973
Women Choose Women, New York Cultural Center, New York, NY
The Male Nude, School of Visual Arts, New York, NY
Ten Artists, State University College, Fredonia, New York
Group Exhibition, A.I.R. Gallery, New York, NY
Group Exhibition, Houghton House Gallery, Hobart & William Smith Colleges, Geneva, New York
Voices of Alarm, Lerner-Heller Gallery, New York, NY
1972
The Mind’s Eye, Green Mountain Gallery, New York, NY
American Women Artist Show, Gemeinschaft der Kunstlerinnen und Kunstfreunde (GEDOK), Hamburg, West Germany
The Realist Revival, The American Federation of Arts, New York, NY
Unmanly Art, Suffolk Museum, Stony Brook, NY
1968
Realism Now, Vassar College Art Gallery, Poughkeepsie, New York
1966
The Box Show, Byron Gallery, New York, NY
Portraits from the American Art World, The New School of Social Research Art Center, New York, NY
1965
American Landscapes, Byron Gallery, New York, NY
SELECTED REVIEWS
Melzer, Brukhard. “Sylvia Sleigh,” Frieze Magazine (September 30, 2010). http://www.frieze.com/shows/review/sylvia-sleigh/.
“Scene and Herd: Clock Wise,” Artforum.com (September 2010) http://artforum.com/diary/id=26361.
Rosenmeyer, Aoife. “Report from Zurich,” Artnet.com (July 19, 2010). http://www.artnet.com/magazineus/reviews/rosenmeyer/art-in-zurich7-19-10.asp
Smith, Roberta. “Painting in 21st Century: It’s Not Dry Yet,” The New York Times, March 27, 2010. Arts & Leisure: Pg.1, 20.
Moyer, Carrie. “Sylvia Sleigh: I-20 Gallery,” The Brooklyn Rail (Feb 2010) http://www.brooklynrail.org/2010/02/artseen/sylvia-sleigh
Golden, Deven. “Sylvia Sleigh at I-20 Gallery.” ArtCritical.com (Dec 23, 2009) http://www.artcritical.com/golden/DevenGolden.SylviaSleigh.htm
Cotter, Holland. “Golden Oldies All Over Chelsea,” The New York Times (Dec 4, 2009).
Finch, Charlie. “A Wrinkle In Time.” Artnet.com (November 10, 2009). http://www.artnet.com/magazineus/features/finch/silvia-sleigh11-9-09.asp
Saltz, Jerry. “Gender Benders: Visionary twists from a magnificent seven.” New York Magazine (October 12, 2009).
Rice, Shelley. “Back to the Future: George Kubler, Lawrence Alloway and the Complex Present,” Art Journal (Winter 2009/2010).
Saltz, Jerry. “Fall Preview ’09: Jerry Saltz’s Want-to-Sees,” New York Magazine (August 23, 2009).
Turps Banana (March 2008).
May, Whitney. “Climbing Olympia.” NY Arts, vol. 13, no. 1/2 (Jan – Feb 2008): 86.
Banai, Nuit, “Sylvia Sleigh, I-20 Gallery,” Modern Painters (June, 2007), 111.
Reverend Jen, “Diary of an Art Star,” artnet.com (April 27, 2007).
“Paintings: faces and more faces,” the New York Sun: Calendar (April 10, 2007), 10.
Kazakina, Katya, “Cute, Hairy, Naked Men; De Maria’s 75 Shiney Rods: Chelsea Art” Bloomberg.com (April 9, 2007) http://www.bloomberg.com/apps/news?pid=newsarchive&sid=a1a0JiaFJOZE
Cohen, David, “The Realist World: Gallery-Going,” The New York Sun (April 9, 2007) http://www.nysun.com/article/52079?page_no=2
Knight, Christopher, “Feminism and art collide in MOCA’s survey ‘WACK!’” Los Angeles Times (March 5, 2007).
Kessler, Benjamin, “Julius and John Rosenthal and Rosenthal Art Slides,” Visual Resources, vol. 22, no. 3 (September 2006), 265-272.
“I-20: ‘Men.’ Ten paintings made by female artists-“ TimeOut New York (August 17-23, 2006).
Smith, Roberta. “Chelsea is a Battlefield: Galleries Muster Groups” The New York Times (July 28, 2006), 27, 33.
Reckitt, Helena, “Unusual suspects: ‘Global Feminisms’ and ‘WACK! Art and the Feminist Revolution’,” n.paradoxa, no. 18, 2006, 34-42.
“Sylvia Sleigh: Portraits and Group Portraits,” The New York Times Art in Review (Friday, June 17, 2005) E36.
Lovelace, Carey, “Art & politics I: feministm at 40,” Art In America, vol. 91, no. 5 (May 2003), 67-73.
Fressola, Michael J., “In the Sunshine of Her Love,” The Staten Island Advance
Kalina, Richard, “Portrait and a marriage,” Art in America (December, 2001) 106-109.
Sozanski, Edward J., “Lovely gentlemen’ her specialty,” The Philadelphia Inquirer (Sunday, April 15, 2001) H1, H6
“Best of 2000,” Artforum, vol. 39, no. 4 (Dec 2000), 110-37.
Schmahmann, Brenda, “Cast in a different light: Women and the ‘Artist’s Studio’ Them in George Segal’s Sculpture,” Women’s Art Journal, (Fall, 1999/ Winter, 2000) vol. 20, no. 2, 41.
Henry, Gerrit, “Sylvia Sleigh at Deven Golden,” Art in America (September, 2000), 152.
Danto, Arthur, “Painting Earns Its Stripes,” The Nation (February 21, 2000), 30-34.
Hicks, Robert, “Artist’s work is a pastoral sleigh ride,” The Villager (December 22, 1999) vol. 69, n.p.
Levin, Kim, “Art,” The Village Voice (December 14, 1999), 140.
Cotter, Holland. “Sylvia Sleigh’s Invitation to a Voyage,” The New York Times (Friday, December 10, 1999) E49.
Rosen, Renee, “Art Talk,” New York Business Women’s Calendar (February, 1999) 12.
“A guide for pleasure and leisure,” Downtown Express (January 19-February 1, 1999) 18.
Raven, Arlene, “Mirror Images,” (book review), The Women’s Review of Books (January, 1999) vol. XVI, no. 4, 6-7.
Patterson, Tom, “Strong Women,” Winston-Salem Journal (Sunday, November 8, 1998) E1, E6.
“Crossing the Threshold for Women at Guilford College,” Carolina Arts (November, 1998) vol. 2, no. 11, 1-3.
Biles, Jan, “Crossing the Threshold,” Lawrence Journal-World (Sunday, August 30, 1998), n.p.
Thorson, Alice, “Beyond Gender, beyond age,” The Kansas City Star (Sunday, August 20, 1998), P1-3.
“Featuring the Women Artists at College of New Jersey,” US1 Preview (March 4, 1998) Princeton, NJ 21, 32-33, 34, 36.
Cheney, Liana, Alicia Craig Faxon, and Kathleen Russo, co-authors. Self-Portraits by Women Artists, London: Scholar Press, 1997
Greenberg, Kevin, “Henry Moore and Some Nigels,” Chicago Maroon (April 22, 1997) 3.
Combalia, Victoria, “Against Narrow Feminism.” Artpress (September, 1995) 51-54.
Gray, Lori, “Gallery Scene,” The Chicago Tribune (April, 1995) n.p.
Johnson, Ken, “Sylvia Sleigh at Stiebel Modern.” Art in America (December, 1994) 98-99.
Gale, Iain, “Driven to abstraction.” The Independent, London (Tuesday, March 9, 1993) n.p.
Nochlin, Linda, “Driven to Abstraction,” The Independent (Tuesday, March 9, 1993), London, n.p.
Williams, Val, “Rebels without Applause,” The Independent (February 20, 1993) 30-35.
Yeazell, Ruth Bernard, “Ingres and Lady Mary Wortley Mantagu,” Yale Journal of Criticism (1993?), n.p.
Gouma-Peterson, Thelma, “Making Their Mark: Women Artists Move into the Mainstream 1970-85,” Woman’s Art Journal (Fall 1990/Winter 1991) 38-41.
Loughery, John, “Sylvia Sleigh: Invitation to a Voyage and Other Works,” Woman’s Art Journal (Spring/Summer, 1991), vol. 12, no. 1, 69-71.
Rosser, Phyllis, “A Passion for Life,” New Directions for Women (January/February, 1991), n.p.
Tully, Judd, “Contemporary Nudes,” Cover Arts New York (October, 1988) vol. II, no. 8, 9.
“Women Portray Men,” Kalliope (1987), 69-71.
Fressola, Michael, “Eminant Immigrants at Newhouse Gallery.” Staten Island Sunday Advance (June 15, 1986) 22.
Glueck, Grace, “Artist and Model: Why the Trend Endures,” New York Times (June 8, 1986) 27.
Zimmer, William, “Works by Women on View in Stamford,” The New York Times (January 5, 1986) A1.
Frueh, Joanna, “Sylvia Sleigh at Zaks.” Art in America (January, 1986) 136 (ill.), 144-145.
Eliasoph, Philip, “Ladies in art not waiting: Is it necessary to label ‘women’ artists?” Southern Connecticut Newspapers (Sunday, December 22, 1985) D4-5.
Raynor, Vivian, “Sylvia Sleigh,” The New York Times (Friday, January 11, 1985), n.p.
Alloway, Lawrence, “The Function of Women’s Exhibitions,” Art and (March, 1984) 12.
Baker, Kenneth, “The Insider,” Connoisseur (March, 1984) 126-130.
Tatransky, Valentin. “Arts Review,” Arts Magazine (September, 1983) 40-41.
Henry, Gerrit, “Sylvia Sleigh at G.W. Einstein.” Art in America (Summer,1983) 158-59.
Manso, Susan, “Portraits by Women, 1972-1982,” The Massachusetts Review, Woman: The Arts 2 (Summer, 1983) 353-368.
Gildar, Lisa Klein, “Male Nude: The Image is the Issue.” Hue Points, the WCA News Magazine (Spring/Summer, 1983) 12, 1 and 2, 16-18.
Russell, John, “In the Arts: Critic’s Choices,” The New York Times (February 27, 1983) n.p.
Gedo, Mary Matthews, “Dennis Adrian Collection.” Arts Magazine (April,1982) 9.
Weiss, Hedy, “Dennis Adrian’s Collection: A Tribute to the art of aggression,” New Art Examiner (April, 1982), n.p.
King, Mary, “Sylvia Sleigh’s Male Nude Seems ‘Punitive’.” St. Louis Dispatch (November, 1981) n.p.
Philips, Deborah C., “Sylvia Sleigh,” ARTnews (January, 1981) vol. 80, no. 1, 169-170.
Russell, John, “Sylvia Sleigh,” The New York Times (October 24, 1980) n.p.
Glueck, Grace, “Women Artists’80: A Matter of Redefining the Whole Relationship Between Art and Society.” ARTnews (October,1980) 58-63.
Tatransky, Valentin, “Sylvia Sleigh,” Arts Magazine (October, 1980), 6.
Clurman, Irene, “Summer Program, Exhibits by Heights Visiting Artists,” Rocky Mountain News, June 22, 1980, 1-3.
Comini, Alexandra, “Art History, Revisionism, and Some Holy Cows.” Arts Magazine (June, 1980), 96-100.
Kingsley, April and Joan Semmel, “Sexual Imagery in Women’s Art,” Woman’s Art Journal (Spring/Summer, 1980) vol. 1, no. 1, 1-6.
Upshaw, Leon R, “Sylvia Sleigh, Ron Isaacs,” The New Art Examiner (July, 1980) n.p.
“News and Notes,” Artweek (December 29, 1979) vol. 10, no. 44, 17.
Loughery, John, “Sylvia Sleigh,” Visual Dialog (Winter, 1979), 23.
Langer, Sandra L., “The Sister Chapel: Towards a Feminist Iconography,” with commentary by Ilise Greenstein. The Southern Quarterly—A Journal of the Arts in the South (Winter, 1979) 17, 2, 29-41.
Contiguglia, Carol, “Sister Chapel Thought Provoking Exhibit.” The Citizen, Auburn (November 11, 1979) 10-11.
Weinshenker, Betty Anne, “Modern Artists Imitate the Old Masters,” USA Today (July, 1979) n.p.
Adrian, Dennis. “Illusive/Allusive: Sexuality in contemporary art,” The New Art Examiner, (Summer, 1979) n.p.
Loughery, John, “Illusive/Allusive: Sexuality in Contemporary Art.” New Art Examiner (Summer, 1979), 6.
Adrian, Dennis, “Sylvia Sleigh,” Visual Dialog, vol. 4, no. 2 (Winter 1978-79), 23.
“The Male as Sex Object,” Playgirl (June, 1978) vol. VI, no. 1, 47-51.
Cavaliere, Barbara, “Sylvia Sleigh: Portraits of Women in Art,” Womanart (Spring, 1978) vol. 2, no. 3, 12-13.
Greenspan, Stuart, “Sylvia Sleigh,” Artforum, col. 16, no. 8 (April, 1978) 67-68.
Lubell, Ellen, “Sylvia Sleigh,” Arts Magazine, vol. 52, no. 7 (March 1978), 31-33.
Allen, Jane, “Sylvia Sleigh,” The New Art Examiner (January, 1978).
Levov, Myrna, “Five Years of Fresh A.I.R.,” Ms. (January, 1978), 22.
“Program on Women—Sylvia Sleigh,” Northwestern University Newsletter (January, 1978) vol. 2, no. 1, n.p.
Tickner, Lisa, “The Body Politic: Female Sexuality and Women Artists Since 1970.” Art History (1978) 240-44.
Robins, Corinne, “Artists in Residence’: The First Five Years,” Womanart (Winter, 1977-1978), 4-7, 42.
Adrian, Dennis, “Splendid Figures Touched with Wit,” Chicago Daily News (December 10-11, 1977) 15.
Kuspit, Donald, “New York Today: Some Artists Comment.” Art in America (September, 1977), 84.
Ratcliff, Carter, “Remarks on the Nude.” Art International (March-April), 1977 (60-65).
Orenstein, Gloria Feman, “The Sister Chapel,” Womanart (1977) 15.
“Galleries and Museums,” Washington Calendar Magazine (October, 1976) 17-18, SS illustrated image “The Garden” at Fendrick Gallery.
Trachtenberg, Nancy, “Paintings by Three American Realists: Alice Neel, Sylvia Sleigh, May Stevens,” Womanart (Fall, 1976), 24-25.
Lubell, Ellen, “SoHo 20,” Womanart (Summer, 1976), vol. 1, no. 1, 16-19, 30.
Frueh, J., “Sylvia Sleigh,” Midwest Art, vol. 3, no. 4 (Summer 1976), 7.
Grillo, Jean Bergatini, “SoHo 20: A diverse women’s gallery,” Feminist Art Journal, vol. 5, no. 2 (Summer 1976), 36-7.
Henry, Gerrit, “View from the Studio.” ARTnews (May, 1976) 32-38.
Frank, Peter, “Reviews and Previews.” ARTnews, (April, 1976) 122,123.
Rousseau, A.M., “The Women Artists’ Series: An Interview with Lynn Miller,” Feminist Art Journal, vol. 5, no. 1 (Spring 1976), 33-6.
Moser, C., “The Inner and Outer World of the Women’s Art Movement,” Artes Visuales, no. 9 (Spring 1976), 37-42, 65-8.
Hess, Thomas B. “Sitting Prettier,” New York Magazine (February 23, 1976) 62.
Lubell, Ellen, “Sylvia Sleigh,” Arts Magazine (February, 1976), vol. 50, no. 6, 22.
Orenstein, Gloria Feman, “Art History,” Signs (Winter, 1975) vol. 1, no. 2, 505-525.
Schneider, Piere, “Etre femme et peintre, c’est Presque un miracle,” Marie Claire (December, 1975) no. 280, 138-139.
Benedikt, Michael, “Bronx Museum Fights to Preserve Autonomy,” Artworkers News (1975), 1,3.
Hess, Thomas, “A Giggle of Nudes,” New York Magazine (June 23, 1975), 72-74.
Hartman, Rose, “Feminists are talking about Sylvia Sleigh,” The Feminist Art Journal (Spring, 1975), n.p.
Manso, Susan, “The Year of the Woman,” Art Journal (Spring, 1975) vol. 4, no. 2, 74.
Henry, Gerrit, “The Artist and the Face: A Modern American Sampling.” Art in America (January,1975), 34-41.
Kincaid, Jamaica, “Erotica,” Ms (January, 1975) 30-33.
Fleisher, Pat, “Conversations with Bandana Zack.” Artmagazine (24 Dec.-Jan, 1975) 25.
Heinemann, Susan, “Sylvia Sleigh,” Artforum (December, 1974) 76-77.
Kaplan, Patricia, “Sylvia Sleigh,” ARTnews (November, 1974) 113.
Derfner, Phyllis, “New York Letter,” Art International Letter (November, 1974) 51-59.
Mayer, Rosemary, “Sylvia Sleigh at A.I.R.,” Art in America (November, 1974), 120-121.
Lubell, Ellen, “Sylvia Sleigh at A.I.R.,” Arts Magazine (October, 1974), vol. 49, no. 2, 74.
Zimmer, William, “Sleigh(t) of Hand,” The Rutgers Newsletter (Friday, September 13, 1974) 4.
Weinshenker, Betty Anne and Yeazell, Ruth Bernard. “Arts and Society,” Women and the Arts (Spring/Summer, 1974), 11,1, 106.
Nochlin, Linda, “Some Realists: Painters of the Figure.” Arts Magazine (May, 1974) vol. 48, no. 8, 29-33.
Nemser, Cindy, “In Her Own Image.” Feminist Art Journal (Spring, 1974) vol. 3, no. 1, 11-18.
Anderson, Laurie, “Reviews,” Artforum (January, 1974), vol. XII, no. 5, 79-80.
Picard, Lil, “New Yorkunst-Toursimus,” Kunstforum (1974) 198.
Heinemann, S., “Sylvia Sleigh,” Artforum, vol. 13, no. 4 (December 1974), 75-7.
Henry, Gerrit, “Reviews and Previews.” ARTnews (December, 1973) 96, 100.
Mayer, Rosemary, “Maureen Conner and Sylvia Sleigh,” Arts Magazine (December, 1973) vol. 48, no. 3, 61-62.
Henry, Gerrit, “The Male Nude: The Gaze Returned.” Heresies, 24, 46-47.
Derfner, Phyllis, “New York Letter,” Art International (November, 1973) vol. XVII, no. 9, 50-52.
Perreault, John, “Art.” The Village Voice (October 18, 1973). 32.
Perreault, John, “Sylvia Sleigh,” The SoHo Weekly News, n.d, n.p.
Eakins, Patricia, “Sleigh’s Work is a Pleasure to Behold,” Chelsea and Clinton News (October 11, 1973), n.p.
Derfner, Phyllis, “New York Letter,” Art International (September, 1973) 39-41.
Mayer, Rosemary, “Sylvia Sleigh,” Arts Magazine (April, 1973), 75.
Kingsley, April, “Women Choose Women,” Artforum (March, 1973) 69-73.
“The Male Nude,” The Village Voice (February 13,1973) 56.
Nemser, Cindy, “The Male Nude Arrives at Last.” Changes (July 19, 1972) 14-15.
Ratcliff, Carter, “New York Letter,” Art International (Summer, 1972) 72-80.
Perreault, John, “Art,” The Village Voice (May 11, 1972) 43,50.
Nemser, Cindy, “The Close-up Vision: Representational Art, Part II.” Arts Magazine (May, 1972) 44-48.
Levin, Kim, “Reviews and Previews.” ARTnews (May, 1972), 55.
Nochlin, Linda, “Eroticism and Female Imagery in 19th Century Art,” ARTnews Annual 38 (1972), 14.
Lubell, Ellen, “Sylvia Sleigh,” Arts Magazine (March, 1971) 32.
Nemser, Cindy, “Forum: Women in Art,” Arts Magazine, (February, 1971), vol. 45, no. 4, 18.
Neugroschel, Joachim, “Images,” Arts Magazine (February, 1971), 53.
Ratcliff, Carter, “New York Letter,” Art International (February, 1971), vol. XV, no. 2, 70-71.
Ratcliff, Carter, “Reviews and Previews,” ARTnews (January, 1971), 58.
Glueck, Grace, “Tis the Month Before Christmas: New York Gallery Notes.” Art in America (November/December, 1969) vol. 57, no. 6, 159.
“Art in New York,” TIME (November 21, 1969) NY2.
Benedikt, Michael, “Reviews and Previews,” ARTnews (November, 1969), vol. 68, no. 7, 88.
Calas, Nicolas, “In the Galleries,” Arts Magazine (November, 1969) 71-72.
Schjeldahl, Peter, “New York Letter,” Art International (October, 1969) vol. XIII/8, 80.
“Portrait of David Bourden,” Art International (October, 1969) vol. XIII, no. 8, 80.
Constable, Rosalind, “Style of eh Year: The Inhumanists,” New York Magazine (December 16, 1968) 44-50.
Benedikt, Michael, “Sylvia Sleigh,” Arts Magazine (November, 1968), 56.
Acconci, Vito, “Reviews and Previews,” ARTnews (November, 1968), vol. 67, no. 7, 77.
A., V.H., “Sylvia Sleigh,” Artnews (November, 1968) n.p
Alloway, Lawrence, “Art as Likeness,” Arts Magazine, May, 1967, 34-39.
Benedikt, Michael, “New York Letter,” Art International (May, 1965) vol. IX, no. 4, 6.
Raynor, Vivian, “Sylvia Sleigh,” Arts Magazine (May, 1965) 70.
Gablik, Suzi, “Sylvia Sleigh,” ARTnews (March, 1965) vol. 64, no. 1, 20.
Fricker, L.J., “Crystal Palace,” Architectural Design (January, 1962) vol. XXXII, 50.
EXHIBITION CATALOGUES
2010
Sylvia Sleigh: Working at Home, Freymond-Guth Fine Arts, Zurich.
2009
Creighton, Virginia. Different at Every Turn: Contemporary Painters of the Hudson River (New York: City University of New York).
2007
Butler, Cornelia H. and Lisa Gabrielle Mark (ed.). WACK!: Art and the Feminist Revolution (Cambridge: The MIT Press).
2006
Men, text by Ellen Altfest, I-20 Gallery, New York.
2001
An Unnerving Romanticism: The Art of Sylvia Sleigh and Lawrence Alloway, The Philadelphia Art Alliance, Philadelphia, PA. Texts by Amy Schlegel, John Perreault, Leon Golub, Nancy Spero, and others
1999
Shaping a Generation: The Art and Artists of Betty Parsons The Heckscher Museum of Art, Huntington, NY Texts by Anne Cohen DePietro and others.
1997
Chicago, IL. From Blast to Pop. The David and Alfred Smart Museum of Art at the University of Chicago. Text by Richard Born. New York, NY
Crossing the Threshold, Steinbaum Krauss Gallery. Texts by Trinkett Clark and Berenice Steinbaum.
1993
Stevens Point, WI. Drawing the Figure. Carlsten Art Gallery. Text by Stanley W. Grand
1990
Milwaukee, WI Sylvia Sleigh: Invitation to a Voyage and Other Works. Milwaukee Art Museum and Butler Instiute of American Art. Texts by Russell Bowman and Dennis Adrian
1989
New York, NY. Making Their Mark: Women Artists Move into the Mainstream, 1970-1985. Randi Rosen Arts Associates
1985
New York, NY Invitation to a Voyage: The Hudson River at Fishkill. G.W. Einstein , Inc. Text by Annie Shaver Crandall
1983
New York, NY. Variations on a Theme: Embellished Elevations of the Carnegie Museum. Cooper-Hewitt Museum
New York, NY. Sylvia Sleigh Paints Lawrence Alloway. G.W. Einstein Gallery. Text by Donald Kuspit.
Philidelphia, PA. Her Own Space. Muse Gallery. Text by Naomi Waksberg, Norma Broude, Mary D. Garrard, Lucy Lippard, Gayle Davis, and Barbara Zucker.
1982
Chicago, IL. Selections from the Dennis Adrian Collection, Museum of Contemporary Art. Text by Mary Jane Jacob.
1981
St. Louis, MO. Sylvia Sleigh. Gallery 210, University of Missouri. Text by Kevin Ekstrom.
Philadelphia, PA. Contemporary American Realism Since 1960. Pennsylvania Academy of the Fine Arts. Text by Frank Goodyear, Jr.
Scottsdale, AZ. Woman and Art. Suzanne Brown Gallery.
1980
New York, NY. Stones and Flowers: Paintings and Watercolor, G.W. Eintein Co., Inc. Text by Donald B. Kuspit.
Contemporary Naturalism: Works of the 1970s. Nassau County Museum of Art. Text by Lawrence Alloway
San Antonio, TX. The Flowering of American Realism,” in Real, Really Real, Super Real: Directions in Contemporary American Painting. Text by Linda Nochlin.
1979
Denver, CO. Poets and Painters. Denver Art Museum.
1978
New York, NY. Sylvia Sleigh A.I.R. Gallery, Text by John Perreault
New York, NY. Women Artists ’78. Graduate Center-CUNY.
1977
New York, NY. Nothing but Nudes. The Whitney Museum of American Art.
Chicago, IL. Recent Portraiture. The Renaissance Society at the University of Chicago. Text by Dennis Adrian
Terre Haute, IN. Exhibition 1977. Turman Gallery, Indiana State University and Northwestern State University. Text by Jack Burnham.
1976
Syracuse, NY. Paintings by Three American Realists: Alice Neel, Sylvia Sleigh, May Stevens. Everson Museum of Art. Text by Phyllis Derfner.
Hartford, CT. Sylvia Sleigh/MATRIX 23. Wadsworth Atheneum. Text by Andrea Miller-Keller.
1974
New Brunswick, NY. Women Artists Series Year Four, Mabel Smith Douglass Library.
1973
New York, NY. Sylvia Sleigh. Lerner-Misrachi Gallery. Text by Leon Golub.
1972
New York, NY Sylvia Sleigh. New York, NY: Lerner-Misrachi Gallery, Text by John Russell.
New York, NY Sylvia Sleigh. SoHo 20 Gallery. Text by Leon Golub.
1968
New York, NY. Sylvia Sleigh. Hemingway Galleries. Text by Suzi Gablik.
New York, NY 243 International Hemingway Collection, Hemingway Galleries
1962
London, England. “Crystal Palace.” Architectural Design. Text by L.J. Fricker
BOOKS
Goldfarb Marquis, Alice. The Pop Revolution. Boston: MFA Publications, 2010.
Adrian, Dennis. Seeing the Figure Now. Chicago: The Betty Rymer Gallery of The School of the Art Institute of Chicago, 1995.
Alloway, Lawrence. “Art as Likeness.” Topics in American Art Since 1945. New York: W.W. Norton and Co., 1975
Anderson, Christina Z. Tutti Nudi. New York: Midmarch Arts Press, 2000.
Atwood, Margaret, Patricia Graham, Linda Nochlin and Laura Sabia. Women on Women. Toronto: York University, 1978.
Battcock, Gregory, ed. The Close-up Vision—Representational Art in Super Realism: A Critical Anthology. New York: E.P. Dutton, 1971.
Basquin, Peter and others. Explorations in the Arts: An Introduction to the Humanities. New York: Holt, Rinehart, and Winston, 1985.
Bernikow, Louise. A Celebration of Women. New York: Putnam Publishers, 1997
Bohn-Duchen, Monica. The Nude: Themes in Art. London: Scala Books, 1992
Borzello, Frances. Women’s Self-Portraits: A History. London: Thames and Hudson, Ltd. 1997
Broude, Norma and Mary D. Garrard. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc. 1994
Brown, Betty Ann, and Arlene Raven (texts) Photos by Kenna Love. Exposures: Women and Their Art. Pasadena: New Sage Press, 1989
Calas, Nicolas and Elena. Icons and Images of the ‘60s. New York: E.P. Dutton, 1971.
Chadwick, Whitney. Women, Art and Society. London: Thames and Hudson, 1990
Chesler, Phyllis About Men. New York: Simon and Schuster, 1978.
Collins, Georgia and Renee Sandell, editors. Gender Issues.. Reston: The National Art. Education Association, 1996. (to be published)
Cottingham, Laura, Not For Sale: Feminism and Art in the USA during the 1970s. Paris: Editions Blocnotes, 1998 (in English and French) book and video
Fine, Elsa Honig. Women and Art: A History of Women Painters and Sculptors from the Renaissance to the 20th Century.
Fichner-Rathus, Lois. Understanding Art. (6th edition) Norwalk, CT: Harcourt College Publishers, 2001
Gill, Michael. Images of the Body. New York: Doubleday and Company, 1989.
Greer, Germaine. The Beautiful Boy, Rizzoli, New York, 2003
Havlice, Patricia Pale. Index to Artistic Bibliography, first supplement. Metuchen, NJ and London: Scarecrow Press, Inc. 1981.
Heller, Jules and Nancy Heller. An Encyclopedia of 20th Century North American Women Artists. New York and London: Garland Publishers, 1994.
Hess, Thomas B. and Elizabeth C. Baker, eds. Art and Sexual Politics. New York: Collier Books, 1973.
Hess, Thomas B. and Linda Nochlin. Women as Se Object: Studies in Erotic Art, 1730-1970. New York: ArtNews Annual (Newsweek), 1972.
Hills, Patricia, Modern Art in the USA: Issues and Controversies of the 20th Century. Upper Saddle River: Prentice-Hall, 2001
Hobbs, Jack A. Art in Context, San Diego: Harcourt Brace Jovanovich, 1985.
Hughes, Bill. “Royal Comic Opera,” Other Scenes, Spring, 1971, p. 3
Inui, Takashina, and Yamanashi. New History of World Art, vol. 27, Futurism, Surrealism. Tokyo: Shogakukan, Inc. 1996
Kahn, Robin, editor. Time Capsule. New York: Creative Time with S.O.S., International, 1995
Kauffman, Angelica. Women’s Studies—Women Artists on Women Artists. London: Gordon and Breach Publishers, 1978.
Kent, Sarah and Jacqueline Morreau. Women’s Images of Men. New York: Writers and Readers Publishing, 1985, and London: Pandora Press, 1990.
Kulterman, Udo, editor. The New Realism. Boulder:, 1979.
Kury, Gloria E. The Early Work of Luca Signorelli. New York: Garland Publishing Co. 1978.
Langer, Cassandra L. “Against the Grain: A Working Gynergenic Art Criticism,” in Arlene Raven, Cassandra L. Langer, and Joanna Frueh, eds., Feminist Art Criticism: An Anthology. Ann Arbor: UMI Research Press, 1988.
Lichner/Rathers, editors. Understanding Art. Upper Saddle River, NJ: Simon and Schuster, 1998.
Loeb, Judy, editor. Feminist Collage: Educating Women in the Visual Arts. New York and London: Teachers College, Columbia Unviersity, 1979.
Lucie-Smith, Edward. Art in the Seventies. Ithaca: Cornell University Press, 1980.
Lucie-Smith, Edward . Sexuality in Western Art. London: Thames and Hudson, 1972 and 1991.
McCarthy, David. The Nude in American Painting, 1950-1980. Cambridge, UK: Cambridge University Press, 1998. (Chapter 6, Feminist Revisions: Sylvia Sleigh and Joan Semmel)
McCarthy, David. Compromised positions: situations for the nude in American painting, 1955-1980, Ph.D. dissertation: University of Delaware, 1992.
Melville, Keith. Marriage and Family Today. New York: Random House
Meskimmon, Dr. Marsha. The Art of Reflection: Women Artists’ Self Portraits in the Twentieth Century. Stoke on Trent: Staffordshire University, 1996.
Metzger, Deena. Art: A Woman’s Sensibility. Feminist Art Program, Valenica: California Institute of the Arts, 1975.
Nochlin, Linda. “ The Flowering of American Realism,” Real, Really Real, Super Real: Directions in Contemporary American Paintings. San Antonio: San Antonio Museum of Art, 1980.
Nochlin, Linda. “The Changing Vision: Some Women Artists of the 19th and 20th Centuries,” in Women on Women, The Gerstein Lecture Series of York University, 1976.
Parker, Rozsika and Griselda Pollack. Old Mistresses: Women, Art and Ideology. New York: Pantheon Books, 1981.
Parker, Rozsika and Griselda Pollack. Art History and Methods. London: Phaidon Press, Ltd., 1996.
Pincuss, G.M., et al. Explorations in the Arts. New York: Holt, Rinehart and Winston, 1985
Rathus, Sexuality in a World of Diversity. Allyn and Bacon
Reckitt, Helena, ed. Art and Feminism. (from the series 20th Century Source Books) survey essay by Peggy Phelan. London: Phaidon Press, Ltd. 2001
Robinson, Hilary, ed. Visibly Female: Feminism and Art, An Anthology. London: Camden Press, Ltd., 1987
Rubinstein, Charlotte Streiffer. American Women Artists: From Early Indian Times to the Present. Boston: G.K. Hall and Co., 1982
Sayre. A World of Art. Edition 2. Upper Saddle River, NJ: Prentice-Hall, 1997.
Selleck, Jack. Faces. Worcester, MA: Davis Publications, 1997.
Sheldon, Dr. Julie. Venus Re-Defined: Sculpture by Rodin, Matisse and Contemporaries. London: Tate Gallery Liverpool, 1995.
Slatkin, Wendy. Women Artists in History. New Brunswick: Prentice-Hall, Inc. 1995, 96, 98, 2001 (4th Edition)
Tickner, Lisa. “The Body Politic: Female Sexuality and Women Artists Since 1970,” in Rozsika Parker and Griselda Pollock, eds, Framing Feminism: Art and the Women’s Movement 1970-1985. London: Pandora Press, 1987.
Tufts, Eleanor. American Women Artists, Past and Present. New York and London: Garland Publishers, 1984.
Tufts, Eleanor. Matrix: A Changing Exhibition of Contemporary Art. Hartford: Wadsworth Atheneum, 1975.
Walker, John A. Cultural Offensives. America’s Impact on British Art Since 1945. Sterling, VA and London: Pluto Press, 1998.
Walters Margaret. The Nude Male: A New Perspective. London: Paddington Press, 1978.
Yeazell, Ruth Bernard. Harems of the Mind: Passages of Western Art and Literature. New Haven: Yale University Press, 2000.
INTERVIEWS
“A Guide to Ferrarese Art,” Athene, 5, 2, May, 1951, p. 42.
“Anonymous was a Woman.” Feminist Art Program, Institute of the Arts, Los Angeles, CA, 1974, p. 65.
“Art: A Woman’s Sensibility.” Feminist Art Program, Institute of the Arts, Los Angeles, CA, 1975, p. 65.
“Artists on Their Art.” Art International (November 1968), p. 59.
“The Bellini Exhibition, Venice.” Art News and Review (Summer, 1949), 1, 14, Saturday, August, 13, p. 2.
Colker, Ed. comp. “Present Concerns in Studio Teaching: Artists’ Statements.” Art Journal (Spring 1982), pp. 33-38.
“Eileen Spikol” Womanart (Fall 1977), p. 25.
Henry, Gerrit. “The Artist and the Face: A Modern American Sampling.” Art in America (January-February 1975) interview with the artist, 38-39
“Views from the Studio.” ARTnews (1976), interview with the artist, 32.
“Is the Alternative Space a True Alternative?” Studio International, 195, 990, January, 1980, pp. 990-91.
Kent State University. Ira Joel Haber. Kent, Ohio: School of Art Gallery, 1977.
“Laura Knight as a War Artist.” womanart, Fall, 1976, col. 1, no. 2, pp. 12-13.
“Letters.” The Village Voice, May 14, 1985.
London, England. Statues in the Crystal Palace Gardens. Trafford Gallery, 1968. Includes statement by the artist.
“Money Omnia Vincit.” Women Artists Newsletter, (Vol 2. No. 1, December-February 1976-77).
“Naked Canvas,” Letters, The Village Voice, May 14, 1985, n.p.
“Nancy Spero,” Visual Dialog, (December 1976/February1977), Vol. 2, No. 1, p. 22.
“Realists Choose Realists.” Womanart, Winter/Spring, 1977, p. 51.
Sleigh, Sylvia, “Realist Painting: People and Things in a Woman’s Life.” Women’s Art Journal, (Spring/Summer, 1982), 3, 1, p. 13
Schwartz, Deborah. “An Interview with Sylvia Sleigh.” Arts and Sciences, Northwestern University, (Spring, 1978), pp. 11-15.
“Some Canadian Women Artists.” Art Journal, XXXVI/2 (Winter, 1977), pp. 168-170. review
“Stones and Flowers.” Heresies (1980).
“Ten Portraitists–Interviews/Statements.” Art in America, January-February, 1975, pp. 35-41.
“The Attica Book.” Rudolf Baranik and Benny Andrews, eds. Published by Custom Communications Systems, South Hackensack, NJ, 1972.
“The Male Nude, The Gaze Returned.” Heresies (1989), pp. 46-48.
“The Song of Lilith.” Art-Rite (Nos. 11-12 Spring-Winter, 1975-76), unpaginated.
“Unskirting the Issue.” Art-Rite (Spring 1974), p.7.
“Women Artists, Series, Year 4.” Mabel Smith Douglass Library, New Jersey, 1974.
“Women: The Arts, 2.” Massachusetts Review, (Summer, 1983), p. 368.
DePietro, Anne Cohen. “Shaping A Generation: The Art and Artists of Betty Parsons.” Huntington, NY: Heckscher Museum of Art, 1999. (Sleigh interview)